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Image credits

Images with the news

Each card gets at most one image, chosen by fixed rules from explicit headline terms, without changing story order or grouping. In this order: an AI-generated illustration, when the story is about a subject that has its own illustration (list below); an official photo from the same day; the portrait of the person named, which is the same photograph listed under “Photographs”, larger and only cropped (in the main story, when a leader appears in the first words of the headline, that leader's portrait is the large one, with the others named shown small); only for the four highlighted stories on the home page, a place or institution named in the headline and by at least half of the papers; and, last, for Portuguese press stories about the Government or Parliament, a photograph of São Bento Palace. With no match, the card gets no image. The caption always says what kind of image it is.

Archive images

They are illustrative, not photographs of the reported event.

Official photos of the day

When a story names Vladimir Putin or Donald Trump, the card may show a photograph published that day by the Kremlin (kremlin.ru, CC BY 4.0 licence) or the White House (US government work, public domain), if the official caption shares at least one more name or place with the headlines. Never for stories about deaths, attacks or disasters. The photograph is stored and served by Veramundi itself, unchanged, with the source, licence and a link to the original page in the caption. It is the image the government itself chose to publish, not an independent photograph.

AI-generated illustrations

Some stories use illustrations made by Pedro Cardoso with an artificial intelligence tool. They are not photographs and show no real event. The caption and the alternative text always say so («AI-generated illustration»), as Article 50 of the EU Artificial Intelligence Act (Regulation (EU) 2024/1689) requires for AI-generated images that resemble real people, places or events. Since 27 October 2026, every new illustration also carries «AI-generated illustration» burned into the image itself, in the bottom right corner, which stays on the images for sharing.

  • AI-generated illustration, with the label burned into the image: the metal plaque with the logo of IGAS, Portugal's Inspectorate-General of Health Activities, on the stone façade of a historic building, next to the wooden door, on a sunny day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-12. Used for stories about Portugal's Inspectorate-General of Health Activities (IGAS): the name in Portuguese, English, Spanish, French, Italian and German, or the acronym IGAS in capitals (not in French, where IGAS is France's social affairs inspectorate). Inquiries, investigations and reports get the IGAS sign; the others get the headquarters on Avenida 24 de Julho, Lisbon. Gives way to the portrait of the first subject.
  • AI-generated illustration, with the label burned into the image: a border post with the Pakistani flag on a pole, sandbags, gabions and a closed red-and-white barrier across a dirt road that winds down a valley between barren mountains. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories that name the Pakistan–Afghanistan border crossings (Angoor Adda, Torkham, Chaman, Spin Boldak, Ghulam Khan) or the Durand Line, in newspapers from any country. It shows a Pakistani border post created by AI.
  • AI-generated illustration, with the label burned into the image: a border post with the Pakistani flag on a pole, sandbags, gabions and a closed red-and-white barrier across a dirt road that winds down a valley between barren mountains. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories that combine Afghanistan (or the Taliban) with Pakistan, the border, posts, firing, clashes or strikes, in newspapers from any country and in several languages; cricket, earthquakes, trade, Iran and Central Asia are left out. It shows a Pakistani border post created by AI.
  • AI-generated illustration, with the label burned into the image: the flags of Pakistan and Iran on two flagpoles in front of the pale stone façade of an embassy, among cypresses and hedges. It is not a photograph of a real embassy. Author: Pedro Cardoso (gerada por IA), 2026-11-01. Used for stories between Pakistan and Iran (embassies, ambassadors, visits, the border and trade between the two), when the headline names both countries. Left out when the US, Saudi Arabia, Turkey, Qatar or Israel come in (the mediation and the four-way meetings), the IMF and sport. It is a scene created by AI, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: an empty dark-wood conference table with a small flag of Pakistan, green and white with the crescent and star, a leather chair, a microphone, a folder and a glass of water; in the background, on a large screen, an aerial view of flooded fields and houses. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about Pakistan and the climate, floods and climate negotiations (COP31, finance, climate justice, monsoons, heatwaves, glaciers): in Pakistani newspapers, even when the headline does not name the country («When multilateralism is selective, climate change is left waiting», Express Tribune, 11 Nov 2026), and in newspapers from any country when the headline names Pakistan. With the prime minister or another person as the first subject of the headline, their portrait is shown. Stories about other countries (India, Nepal, Bangladesh…), the «political climate» and sport are left out. Pakistan's flag stays on the seal. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an empty dark-wood conference table with a small flag of Pakistan, green and white with the crescent and star, a leather chair, a microphone, a folder and a glass of water; in the background, on a large screen, an aerial view of flooded fields and houses. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about Pakistan and the climate, floods and climate negotiations (COP31, finance, climate justice, monsoons, heatwaves, glaciers): in Pakistani newspapers, even when the headline does not name the country («When multilateralism is selective, climate change is left waiting», Express Tribune, 11 Nov 2026), and in newspapers from any country when the headline names Pakistan. With the prime minister or another person as the first subject of the headline, their portrait is shown. Stories about other countries (India, Nepal, Bangladesh…), the «political climate» and sport are left out. Pakistan's flag stays on the seal. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration of a military helicopter with Italian markings at a mountain airfield. Author: Pedro Cardoso (gerada por IA), 2026-10-29. For stories about the Italian helicopter accident in Bosnia. AI-generated illustrative image.
  • AI-generated illustration of a peaceful demonstration with a CGTP-IN banner and union flags in Lisbon. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Used for stories about the CGTP-IN (or Intersindical) and the national demonstration called for 21 November. It is an illustrative scene, not a photograph of the demonstration, so the AI notice is burned into the image itself.
  • AI-generated illustration, with the label burned into the image: a seaside refinery with distillation columns, red-and-white striped chimneys, pipework and large white storage tanks, one bearing the Galp logo, a tanker at the port terminal and the Sines coastline in the distance, on a clear day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-01. Used for stories that name Galp or Sines (the refineries, the port, the industrial complex), in newspapers from any country, even when they mention the stock market or oil (1 Nov 2026, Pedro's illustration). The Músicas do Mundo festival and stories about crimes, deaths, arrests, courts and road accidents are left out. It shows a refinery recreated by AI.
  • AI-generated illustration: oil storage tanks near a harbour with Portuguese and European Union flags. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Used for stories about Portugal and the release of oil reserves. It is an illustrative scene, not a photograph of the operation, so the AI notice is burned into the image itself.
  • AI-generated illustration, with the label burned into the image: nine leaders resembling those of the G7 and the European Union seated around a large white round table bearing the «G7 France» logo, on a blue rug, in a tent opening onto a lawn with trees and the lake behind. It is not a photograph of the summit. Author: Autoria desconhecida, gerada por IA (circula na Wikimedia Commons como «2026 G7 meeting in France.jpg»), 2026-06-15. Used for stories naming the G7 (G7, G-7, Group of Seven…), in newspapers from any country and in several languages, for example the oil reserves pledged by the G7 or the G7 cyber-attack exercises. The image was posted on Wikimedia Commons as a European Commission photograph of the Évian summit (15 Jun 2026), but shows signs of being AI-generated (garbled text on the table and signs), so it is used as an illustration, with the label burned in.
  • AI-generated illustration of the News Corporation building at 1211 Avenue of the Americas, home to The Wall Street Journal. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Used for stories that name The Wall Street Journal (or WSJ), in newspapers from any country. It is an AI-generated illustration of the building that houses the paper, in New York.
  • AI-generated illustration, with the label burned into the image: a laptop showing the Pipedrive logo on an office desk, next to a Portuguese flag, with Lisbon, the Tagus and the 25 de Abril bridge through the window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Used for Pipedrive stories in the Portuguese press (for example, the layoffs in Portugal). It shows a Lisbon office recreated by AI.
  • AI-generated illustration, with the label burned into the image: the façade of a Banco da Amazônia branch on an avenue in Belém, with the green and yellow «A» symbol on the façade, a vertical totem with the bank's name, glass shopfronts with plants, trees and people walking on the patterned stone pavement, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories that name Banco da Amazônia (or Basa, with a bank, credit or Amazon context), in newspapers from any country and in several languages, for example the bioeconomy calls launched at COP31. When the headline starts with a person who has a portrait, their portrait is used. It shows the façade of a bank branch in Belém, recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the entrance of a Banco Master building, between fluted light stone columns, with the «BANCO MASTER» sign and the «M» in a blue square on a black granite band, and glass doors onto a gold-lit lobby. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about Banco Master and the Master case (the Central Bank liquidation, BRB, Daniel Vorcaro, the CDBs and the FGC), in newspapers from any country and in several languages, for example «BRB sues 7 former managers over losses with Master». «Master» on its own only counts capitalised and with a banking or case context; Mastercard, MasterChef, masterclasses, master's degrees and the Masters tournament are left out. When the headline starts with a person who has a portrait (Vorcaro, for example), their portrait is used. It shows the entrance of a bank building recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a glass office building with the Amazon logo on its facade, trees and a street in front, on an overcast day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories that name Amazon (for example, quarterly results), in newspapers from any country and in several languages, even when they talk about Wall Street; left out when the headline is about the Amazon rainforest or river. It shows an Amazon office building recreated by AI.
  • AI-generated illustration, with the label burned into the image: the corner of a glass office building with the four-square logo and the word «Microsoft» on its façade, under a blue sky with clouds. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-06. Used for stories that name Microsoft (or Satya Nadella), in newspapers from any country and in several languages. It shows a Microsoft office building recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a black and silver graphics card with the green NVIDIA logo, fitted inside an open computer case, with the fans, the copper heatsinks, the braided power cable and the motherboard around it. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories that name Nvidia and are about its chips or graphics cards (GPUs, semiconductors, Blackwell, H20/H200…), in newspapers from any country and in several languages, including chip sales to China. It comes ahead of the company's headquarters, which covers the other Nvidia stories (earnings, shares, investments, lawsuits). Scandals and spying go to the headquarters or to Jensen Huang's photos; with Huang in the title, his photos are used.
  • AI-generated illustration, with the label burned into the image: a glass office building at dusk, with the blue infinity symbol and the word «Meta» on its façade, lit offices and a garden in front. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-06. Used for stories that name Meta (the owner of Facebook, Instagram and WhatsApp), in newspapers from any country and in several languages. «Meta» only counts when capitalised and with Facebook, AI, shares, a fine or a court in the headline, so that «meta» meaning a goal is left out. When the headline starts with a person who has a portrait (Zuckerberg), their portrait is used. It shows a Meta building created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a curved glass office tower in the late afternoon, with the purple «nu bank» logo on its façade, lit balconies and an orange band at its base, among trees, an avenue and the buildings of a large city. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories that name Nubank (Nu Holdings, the Brazilian digital bank, also in Mexico and Colombia), in newspapers from any country and in several languages. «Nu» on its own does not count, so that other meanings of «nu» are left out. When the headline starts with a person who has a portrait, their portrait is used. It shows a Nubank tower created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the glass entrance of an office building with the symbol and the word «Palantir» in white letters above the door, among glass buildings. Not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Used for stories that name Palantir (defence and data contracts, earnings, shares), in newspapers from any country and in several languages. Tolkien's palantír is left out. When the headline starts with a person who has a portrait (such as Alex Karp), their portrait is used, with the Palantir seal beside it.
  • AI-generated illustration, with the label burned into the image: a light stone and glass office building with the word «Anthropic» in dark letters above the glazed entrance, with trees and planters on the pavement. Not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Used for stories that name Anthropic or Claude, the company's AI assistant (models, contracts, investment, lawsuits), in newspapers from any country and in several languages. The anthropic principle of cosmology is left out. When the headline starts with a person who has a portrait (such as Dario Amodei), their portrait is used, with the Anthropic seal beside it.
  • AI-generated illustration, with the label burned into the image: a hand drops a ballot into a box in front of the California State Capitol in Sacramento, with the state flag (the bear and star, «California Republic») on the left and palm trees on the right. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about elections, votes, referendums and ballot measures in California, in newspapers from any country and in several languages. Not used for Baja California (Mexico), votes in the state legislature or stories covering several states. With a person as the first subject, their portrait is shown. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the United States Capitol in Washington, lit at dusk, with two American flags, a large rippling blue cloth sweeping across the picture like a wave and, in front, a metal ballot box with a white ballot going in. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories about the Democrats' «blue wave» in the US (blue tsunami, tsunami azul, ola azul, vague bleue, blaue Welle, onda blu and the same words in Russian, Arabic, Hebrew, Chinese, Japanese and Korean), in newspapers from any country. Left out when the headline is about Spain (the PP's «marea azul»), the UK, Taiwan, sport, beaches or a real tsunami. When the headline starts with a person who has a portrait («Trump reacts to the blue wave»), their portrait is used; when the person is only named («the beginning of the end of Trump»), this illustration is used and the person stays in the badge. It shows the Capitol, a blue wave and a ballot box created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the United States Capitol in Washington, lit at dusk, with two American flags, a large rippling blue cloth sweeping across the picture like a wave and, in front, a metal ballot box with a white ballot going in. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Also used for stories about the Democrats' victory in the US that don't say «blue wave» («The economy propelled Democrats to victory», «Democrats’ midterm sweep», «midterm wave», Democratic sweep, Democrats win, vitória democrata, victoria demócrata, victoire des démocrates, Sieg der Demokraten, vittoria dei democratici, победа демократов). Whole phrases only: «Democrats» or «victory» alone are not enough. Left out for Social, Christian and Liberal Democrats and the Sweden Democrats, Korea, Japan and Italy's PD, primaries and shutdowns, market stories (dollar, stocks, Wall Street), which get the markets image, and in the same cases as the blue wave (Spain, UK, Taiwan, sport, beaches). Same illustration as the blue wave, which wins ties.
  • AI-generated illustration, with the label burned into the image: a phone on a wooden desk showing an online casino (roulette, cards, dice) with a large white padlock over it; behind it, a laptop with the same casino and, on the right, a judge's gavel and a book. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories about the regulation, blocking or banning of online betting and gambling (Brazil's «bets», betting houses and sites, online gambling, apuestas, paris en ligne, Glücksspiel, scommesse and the same words in other languages), in newspapers from any country: the headline must name betting and also a law, the courts, a block, a ban, fines, advertising or taxes. «Aposta» on its own does not count («the Government bets on…»), and «bets» only counts in Brazilian newspapers. Stories mentioning football, clubs, players, leagues, match-fixing or video games are left out. When the headline starts with a person who has a portrait, their portrait is used. It shows an online casino on a phone with a padlock and a judge's gavel, created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a phone on a wooden desk showing an online casino (roulette, cards, dice) with a large white padlock over it; behind it, a laptop with the same casino and, on the right, a judge's gavel and a book. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories about the regulation, blocking or banning of online betting and gambling (Brazil's «bets», betting houses and sites, online gambling, apuestas, paris en ligne, Glücksspiel, scommesse and the same words in other languages), in newspapers from any country: the headline must name betting and also a law, the courts, a block, a ban, fines, advertising or taxes. «Aposta» on its own does not count («the Government bets on…»), and «bets» only counts in Brazilian newspapers. Stories mentioning football, clubs, players, leagues, match-fixing or video games are left out. When the headline starts with a person who has a portrait, their portrait is used. It shows an online casino on a phone with a padlock and a judge's gavel, created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a phone on a wooden desk showing an online casino (roulette, cards, dice) with a large white padlock over it; behind it, a laptop with the same casino and, on the right, a judge's gavel and a book. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories about the regulation, blocking or banning of online betting and gambling (Brazil's «bets», betting houses and sites, online gambling, apuestas, paris en ligne, Glücksspiel, scommesse and the same words in other languages), in newspapers from any country: the headline must name betting and also a law, the courts, a block, a ban, fines, advertising or taxes. «Aposta» on its own does not count («the Government bets on…»), and «bets» only counts in Brazilian newspapers. Stories mentioning football, clubs, players, leagues, match-fixing or video games are left out. When the headline starts with a person who has a portrait, their portrait is used. It shows an online casino on a phone with a padlock and a judge's gavel, created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a metal padlock, two gold bitcoin coins and a hardware crypto wallet on a desk, in front of a laptop showing the yellow Binance logo. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for Binance stories about frozen funds, suspended deposits and withdrawals or a «security issue», in newspapers from any country and in several languages, even when the headline also mentions the attack. Those about hackers and thefts without a freeze get the coin with the warning. It is an AI-generated illustration, not a photograph of the incident.
  • AI-generated illustration, with the label burned into the image: a gold bitcoin coin leaning on a hardware crypto wallet on a desk, in front of a laptop showing an orange warning shield. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for Binance stories about hackers, thefts, cyberattacks, fraud and other cybersecurity problems, in newspapers from any country and in several languages. It is an AI-generated illustration, not a photograph of the attack.
  • AI-generated illustration, with the label burned into the image: the glass entrance of a dark office building with the yellow Binance logo on its facade, trees and skyscrapers around it. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for the other stories that name Binance, in newspapers from any country and in several languages, even when they talk about Wall Street; those about hackers and cybersecurity get the coin with the warning. It shows a Binance building recreated by AI.
  • AI-generated illustration, with the label burned into the image: a supermarket checkout with the card terminal and barcode scanner idle, a screen showing a computer cut off from the internet and an orange warning light on top, with shelves of products behind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-09. Used for stories about cyberattacks on supermarkets and their fridges and freezers (cyberattacks, hackers, hacking, sabotage), in newspapers from any country and in several languages, for example «France accuses Iran of cyberattack on 700 supermarkets» or «Hackers heat French supermarket fridges». It takes precedence over the general cyberattack image. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a supermarket checkout with the card terminal and barcode scanner idle, a screen showing a computer cut off from the internet and an orange warning light on top, with shelves of products behind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-09. Used for stories about cyberattacks on supermarkets and their fridges and freezers (cyberattacks, hackers, hacking, sabotage), in newspapers from any country and in several languages, for example «France accuses Iran of cyberattack on 700 supermarkets» or «Hackers heat French supermarket fridges». It takes precedence over the general cyberattack image. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a laptop in a server room shows a security dashboard with an intrusion alert, a network of systems with red links and a map of attacks. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about cyberattacks (hackers, ransomware), in newspapers from any country and in several languages, when no other image fits. Crypto thefts keep their own images. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a green eight-wheeled military launcher truck with a raised missile on a concrete pad, dry hills in the background and an overcast sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about North Korean missile, warhead and weapons tests (tests, launches, fires), in Portuguese and other languages. Stories with deaths, attacks, shot-down missiles or drones are left out, as are cyberattacks. Other countries' tests keep the other launcher illustration. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a military launcher truck with a raised tactical missile, on open ground with mountains in the background under a cloudy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about missile and warhead tests and launches (for example North Korea's), in newspapers from any country and in several languages. Stories about missile attacks, with deaths or injuries, or missiles shot down, are left out. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a silicon wafer full of chips in a machine at a semiconductor plant, with a technician in a clean-room suit in the background and the South Korean flag on the wall. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about South Korean chips and semiconductors (exports, SK Hynix; Samsung stories keep the Seoul headquarters), in newspapers from any country and in several languages. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: stacks of new tyres on wooden pallets by an open container full of tyres, on a wet quay; in the background, container cranes, a loaded ship and the flag of Brazil. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for tyre stories in Brazilian newspapers (import tax, industry, prices) and for stories in other newspapers about tyres and Brazil, in several languages. Burning tyres in protests and motorsport are left out. When the headline starts with a person who has a portrait, their portrait is used instead. It shows a scene recreated by AI, with the flag of Brazil.
  • AI-generated illustration, with the label burned into the image: stacks of new tyres on wooden pallets by an open container full of tyres, on a wet quay; in the background, container cranes, a loaded ship and the flag of Brazil. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for tyre stories in Brazilian newspapers (import tax, industry, prices) and for stories in other newspapers about tyres and Brazil, in several languages. Burning tyres in protests and motorsport are left out. When the headline starts with a person who has a portrait, their portrait is used instead. It shows a scene recreated by AI, with the flag of Brazil.
  • AI-generated illustration, with the label burned into the image: a concrete arch dam between granite slopes with pine trees, in a Rocky Mountains gorge; behind it, a large blue lake with dry banks showing and, on the left, a building site with a yellow crane and excavators. It is not a photograph of Gross Dam. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about Gross Dam and Gross Reservoir (Denver Water's expansion, in Colorado) and for Denver stories about dams, reservoirs, drought or water supply, in several languages. When the headline starts with a person who has a portrait, their portrait is used. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a concrete arch dam between granite slopes with pine trees, in a Rocky Mountains gorge; behind it, a large blue lake with dry banks showing and, on the left, a building site with a yellow crane and excavators. It is not a photograph of Gross Dam. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about Gross Dam and Gross Reservoir (Denver Water's expansion, in Colorado) and for Denver stories about dams, reservoirs, drought or water supply, in several languages. When the headline starts with a person who has a portrait, their portrait is used. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a glass and pale stone office building with the name AICEP at the top of the façade, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories that name AICEP, Portugal's trade and investment agency, in newspapers from any country and in several languages.
  • AI-generated illustration, with the label burned into the image: the bright interior of a shopping mall, with shops on two floors, escalators, plants and people carrying shopping bags, and a sign reading MULTIPLAN. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for Multiplan stories about its malls, shops, sales or visitors, in newspapers from any country. It shows a mall interior recreated by AI.
  • AI-generated illustration, with the label burned into the image: the light facade of a building with the word MULTIPLAN in blue letters above a glass entrance, palm trees, people and a street in front. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for the other stories that name Multiplan (for example, quarterly results), in newspapers from any country, even when they talk about Wall Street or the B3; those about malls, shops and sales get the mall interior. It shows a Multiplan building recreated by AI.
  • AI-generated illustration, with the label burned into the image: the light concrete facade of a building with the IBGE symbol and initials in blue, a Brazilian flag on a pole at the entrance, planters and a patterned pavement in front. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories that name IBGE (unemployment, inflation, GDP, census and other official Brazilian figures), in newspapers from any country. It shows an IBGE building recreated by AI.
  • AI-generated illustration, with the label burned into the image: Nasdaq's round tower of screens in Times Square, New York, at night, with the word «NASDAQ» in glowing green letters, between lit office buildings. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories that name Nasdaq (the exchange or the Nasdaq Composite and Nasdaq 100 indices), in newspapers from any country and in several languages, even when they also mention Wall Street; when the headline starts with a person who has a portrait, their portrait is used instead. Nasdaq's Nordic and Baltic exchanges and Ibovespa stories are left out. It shows a Nasdaq facade in Times Square recreated by AI.
  • AI-generated illustration, with the label burned into the image: a busy New York shopping street with people carrying shopping bags, the US flag on a façade and skyscrapers in the distance, merging on the right into rows of data-centre servers. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories about the US economy (GDP, growth, recession, consumer spending), in newspapers from any country and in several languages, for example «Economía de EEUU crece…» or «US economy grows…». Stories naming other countries, the euro area, Latin America or the world economy are left out, and the Fed and Wall Street keep their own images. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a miniature wooden house, keys, euro notes and coins, a calculator and papers with a pen on a table, with the rooftops of Lisbon and São Jorge Castle through the window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-31. For stories in the Portuguese press about Euribor, mortgages, mortgage repayments and interest, buying a home with a loan and the state guarantee for young buyers (31 Oct 2026, Pedro's illustration). Evictions and housing protests, which have their own illustration, and deaths and fires are left out. Outside Portugal, Euribor keeps the photograph of the ECB headquarters.
  • AI-generated illustration, with the label burned into the image: an oil terminal on a low coast with autumn pines and birches, with large white storage tanks, pipelines and loading arms on a jetty where a black-hulled oil tanker is moored, under a grey, cloudy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about oil ports and oil terminals, in several languages, and about Primorsk and Ust-Luga, Russia's Baltic oil ports. When the headline opens with a person who has a portrait, the portrait is used. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an oil terminal on a low coast with autumn pines and birches, with large white storage tanks, pipelines and loading arms on a jetty where a black-hulled oil tanker is moored, under a grey, cloudy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about tankers in the Baltic and Russia's shadow fleet, instead of the image of tankers in a strait with arid mountains. When the headline opens with a person who has a portrait, the portrait is used. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a large oil tanker with a black and red hull sails on a dark blue sea, with another tanker in the distance, in front of arid, rugged mountains under a hazy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about oil tankers, in newspapers from any country and in several languages; in Hormuz stories about tankers this one goes instead of the view of the strait. Air-refuelling tankers and tanker trucks are left out. When the headline opens with a person who has a portrait, the portrait is used. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the Strait of Hormuz seen from above, with Iran's mountainous coast at the top, the Musandam peninsula pointing into the strait in the centre, the Persian Gulf with islands on the left and the Gulf of Oman on the right, and the coast of the United Arab Emirates at the bottom. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories that mention the Strait of Hormuz (or just Hormuz), in newspapers from any country and in several languages. It goes ahead of the oil images; when the headline opens with a person who has a portrait, the portrait is used, and when it opens with Hormuz, the image is used. Not used for the Iranian missile called Hormuz. It shows a view created by AI, with the label burned in.
  • AI-generated illustration: an oil pumpjack with the Los Angeles skyline in the background. Not a photograph of the event. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Headlines combining Los Angeles, oil or oil extraction, and ending/banning terms, confirmed in the representative headline and at least half of sources.
  • AI-generated illustration, with the label burned into the image: oil pumpjacks in an oil field at dusk, under an orange and blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for OPEC/OPEC+ and oil-production stories, in newspapers from any country and in several languages, when no more specific image fits (Sines, Portugal's reserves and Los Angeles come first). Spills, attacks, fires and explosions are left out. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an offshore oil platform at sunset, with the orange sky reflected in the sea. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-03. Used for oil-price stories (Brent, WTI, barrel, crude, oil crisis or shock, oil rises/falls) and oil platforms, in newspapers from any country and in pt, es, en, fr, it, de, ar and ru, when there is no more precise image (Sines, Portugal's reserves, Los Angeles and OPEC come first). Spills, fires, explosions and deaths are left out. Shows an AI-recreated scene, with the label burned in.
  • AI-generated illustration: a peaceful demonstration by PSP and GNR personnel in civilian clothes in a square inspired by Lisbon. It is not a photograph of the event. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Only when the headline and at least half the Portuguese sources name both PSP and GNR, a demonstration and pay or working-condition demands. The AI disclosure stays visible in the image and shares.
  • AI-generated illustration: a carriage beside the railway and emergency responders in a rural Spanish landscape, with no visible victims. Not a photograph of the accident. Author: Pedro Cardoso (gerada por IA), 2026-10-29. Headlines combining Spain, Madrid, Toledo or Urda with railway and accident terms, in the representative headline and at least half of sources. Excludes explicit references to the Adamuz and Santiago de Compostela crashes.
  • AI-generated illustration, with the label burned into the image: a red and cream diesel locomotive with passenger carriages stopped at the platform of an Egyptian station with yellow walls, palm trees, brick buildings and the Egyptian flag behind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Used for train and railway stories in Egypt (accidents, derailments, collisions, new lines), when the headline combines Egypt, Egyptian or an Egyptian city (Giza, Cairo, Alexandria, Luxor…) with a railway word, in newspapers from any country and in several languages. Not used for accidents in other countries (Egypt's condolences to Spain), nor when «train» means training troops; when the headline starts with a person who has a portrait, the portrait is used.
  • AI-generated illustration, with the label burned into the image: a group of men with backpacks, seen from behind, walking along a road beside a tall border fence, with the sea on the left and a town and a hill in the distance, under a cloudy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-05. Used for stories about migrants and the border at Ceuta and Melilla (the fence, crossings, pushbacks, abuse), in Portuguese, Spanish and other languages. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a plain white airliner with no airline markings, parked on an airport apron with a stair truck at the door, the terminal and control tower behind, the Mexican flag on a pole and mountains on the horizon. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-05. Used for stories about Magnicharters, the Mexican airline (its bankruptcy, debts, cancelled flights), in Spanish, Portuguese and other languages, instead of the Mexican flag. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration: Benjamin Netanyahu on the left and Gadi Eisenkot on the right, with the Israeli flag and the Knesset in the background. Author: Pedro Cardoso (gerada por IA), 2026-10-27. Stories combining Israel or either protagonist with electoral terms, in the representative headline and at least half of sources.
  • AI-generated illustration, with the label burned into the image: a blue folder reading «MEDICAID» and papers on a hospital reception counter, with a clerk at a computer, waiting chairs, a wheelchair and a nurse at the end of the corridor. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used instead of the US flag on cards from American newspapers with no image of their own about Medicaid, Medicare, Obamacare, health insurance and hospital funding (11 Nov 2026). A portrait or own image takes precedence. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a worker in a high-visibility vest scans a barcode in a large warehouse, with cardboard boxes on a conveyor, shelves full of pallets, a forklift and the United States flag on the far wall. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used instead of the US flag on cards from American newspapers with no image of their own that are about company sales, revenue, retail, consumer spending and supply chains (11 Nov 2026: «22 stocks of companies with tremendous sales growth», MarketWatch). A portrait, company seal or own image takes precedence. Home and arms sales are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: at a supermarket checkout, milk, bread, eggs, apples, broccoli, lettuce and carrots; a person reads a long receipt and holds a wallet with 10 and 20 dollar bills. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used instead of the US flag on cards from American newspapers with no image of their own about inflation, consumer prices and the cost of living (11 Nov 2026). House, oil and stock prices, and other countries, are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: two monitors with red and green candlestick charts and price tables in a trading room, a keyboard, a mouse and a small United States flag on a gold stand, with skyscrapers through the window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used instead of the US flag on cards from American newspapers with no image of their own that are about stocks and markets (Wall Street, S&P 500, Dow, Nasdaq, investors, volatility, bonds), for example «Market angst is driving investors into low-volatility stocks as AI trade stumbles» (MarketWatch, 11 Nov 2026). Stories about sales and companies get the warehouse (empresas-eua). A portrait, company seal or own image takes precedence. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a thick book with «Orçamento do Estado» (State Budget) on the cover, on a wooden desk with a calculator, spreadsheets and a pen, and the Portuguese flag in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-06. Used for Portuguese press stories about the State Budget: in full, «OE» in capitals («amendments to the OE») or «OE2027». Budgets of Angola, Brazil and other Portuguese-speaking countries are left out, as are the Nurses' and Engineers' Associations (also «OE»). It shows a State Budget book recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a thick book with «Orçamento do Estado» (State Budget) on the cover, on a wooden desk with a calculator, spreadsheets and a pen, and the Portuguese flag in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-06. Used for stories in newspapers from any country about Portugal's State Budget, in several languages («Portuguese budget», «presupuesto portugués», «budget portugais», «bilancio portoghese», «portugiesischer Haushalt»). It shows a State Budget book recreated by AI, with the label burned in.
  • AI-generated illustration: satellites orbiting above Earth at night, linked by beams of light to cities. Author: Pedro Cardoso (gerada por IA), 2026-10-23. Used for stories about Starlink.
  • AI-generated illustration: a crowd on a Paris avenue with French flags and placards, the Eiffel Tower in the background. Author: Pedro Cardoso (gerada por IA), 2026-10-24. Used for stories about protests and strikes in France.
  • AI-generated illustration, with the label burned into the image: a general strike march on a tree-lined avenue in a Spanish city, seen from behind; a man in an olive jacket holds up a cardboard sign reading «HUELGA GENERAL» among red flags, and a Spanish flag hangs from a balcony on the right. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Spanish press stories about the general strike that do not say «Spain» in the headline. Not general strikes in other countries. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a general strike march on a tree-lined avenue in a Spanish city, seen from behind; a man in an olive jacket holds up a cardboard sign reading «HUELGA GENERAL» among red flags, and a Spanish flag hangs from a balcony on the right. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Stories from any newspaper about the general strike in Spain: Spain, the Spanish, Madrid, Barcelona or Catalonia in the headline with «general strike» in pt/en/es/ca/gl/eu/fr/it/de/nl. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the hand of a man in a dark suit drops a white ballot into a transparent acrylic ballot box, already holding several ballots, on a wooden table; on the right, a Spanish flag with the coat of arms. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Spanish press stories about polls and elections in Spain that do not say «Spain» in the headline. Not elections in other countries. With a person as the first subject, their portrait is shown. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the hand of a man in a dark suit drops a white ballot into a transparent acrylic ballot box, already holding several ballots, on a wooden table; on the right, a Spanish flag with the coat of arms. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Stories from any newspaper about polls and elections in Spain: Spain, the Spanish, PSOE, Madrid, Catalonia or another Spanish region in the headline with a poll or election word in pt/en/es/fr/it/de. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the hand of a man in a dark suit drops a white ballot envelope into a transparent acrylic ballot box, already holding several envelopes, on a wooden table; on the right, a French flag. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. French press stories about polls and elections in France that do not say «France» in the headline. Not elections in other countries or votes in parliament. With a person as the first subject, their portrait is shown. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the hand of a man in a dark suit drops a white ballot envelope into a transparent acrylic ballot box, already holding several envelopes, on a wooden table; on the right, a French flag. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Stories from any newspaper about polls and elections in France: France, the French, the Élysée or a candidate in the headline with a poll or election word in pt/en/es/fr/it/de. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a padlocked wire-mesh gate across a red dirt road between wooden fences; on the left a pasture with scattered trees, on the right the edge of a forest, under a cloudy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories in Brazilian and Portuguese newspapers about land conflicts and invasions, Indigenous lands, demarcation and Funai. It shows a closed gate between pasture and forest, created by AI; it gives way to the portrait of the first subject and to other specific images.
  • AI-generated illustration, with the label burned into the image: a padlocked wire-mesh gate across a red dirt road between wooden fences; on the left a pasture with scattered trees, on the right the edge of a forest, under a cloudy sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories in foreign newspapers about Brazil and land conflicts, Indigenous lands or Funai, in several languages. It shows a closed gate between pasture and forest, created by AI.
  • AI-generated illustration, with the label burned into the image: a diesel pump nozzle in a truck's tank at a roadside filling station, with other trucks and the Brazilian flag in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for Brazilian press stories about diesel: subsidies, Petrobras prices and adjustments, taxes and truckers. It takes precedence over the general public-finance image and gives way to the first subject's portrait. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a desk with stacks of documents, a calculator, a pen and a small Brazilian flag, in front of a window overlooking the National Congress in Brasília. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for Brazilian press stories on federal government finances: the fiscal target and package, the fiscal framework, spending cuts and freezes, the budget, super-salaries and tax waivers. A general image: gives way to the first subject's portrait and to specific images (public debt, diesel…). It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an officer seen from behind, in a black vest reading «POLÍCIA FEDERAL» in gold, seated at a desk with a laptop, a phone and binders, by a window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about Brazil's Federal Police (operations, searches, arrests, investigations), with the same rules as the PF badge. Gives way to the first subject's portrait and to specific images. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an officer seen from behind, in a black vest reading «POLÍCIA FEDERAL» in gold, seated at a desk with a laptop, a phone and binders, by a window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about Brazil's Federal Police (operations, searches, arrests, investigations), with the same rules as the PF badge. Gives way to the first subject's portrait and to specific images. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: Lula da Silva and Flávio Bolsonaro face to face at debate podiums, with the National Congress in the background. The scene did not happen. Author: Pedro Cardoso (gerada por IA), 2026-10-24. Used only for stories that name Lula and Flávio Bolsonaro and mention a debate. It shows real people in a scene that did not happen, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration: cars and motorbikes on an avenue in the late afternoon, with red Lula and PT flags. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used for stories about pro-Lula and PT motorcades, such as the one in Montes Claros where a councillor was attacked. It does not show the victim.
  • AI-generated illustration, with the label burned into the image: Brazilian stock exchange traders hold their heads in front of a board with a falling red line, next to the Brazilian flag. It is not a photograph and the people are not real. Author: Pedro Cardoso (gerada por IA), 2026-10-26. Used for stories about the fall of the Brazilian stock market (Ibovespa, B3, circuit breaker) linked to Lula or the election. It is an AI-created scene with people who do not exist; the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing, so it is not mistaken for a photograph of the trading floor.
  • AI-generated illustration, with the label burned into the image: 20, 50 and 100 real banknotes and 100-dollar bills on a dark desk, a pen, the Brazilian flag and a monitor showing a rising green candlestick chart, with buildings in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Used for stories about the Brazilian stock market (Ibovespa, the market open and close) and the dollar against the real, in Brazilian newspapers, when the market is not falling: falls keep the B3 facade or, with Lula or the election, the trading floor scene. Bolsa Família, other countries' exchanges and amounts in dollars («millions of dollars») are left out. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the entrance of a pale stone building with the B3 [B]³ symbol on its facade, the Brazilian flag, street lamps and the pavement of a street in central São Paulo. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories about B3 and the Ibovespa (for example, the daily close and the dollar), in newspapers from any country and in several languages, even when they talk about Wall Street; for market falls linked to Lula or the election the trading floor scene is still used. It shows a B3 facade recreated by AI.
  • AI-generated illustration, with the label burned into the image: a wooden table on the porch of a farmhouse in Brazil, with account sheets, a calculator, a pen and a notebook, and behind it a maize field, a red dirt road, a tractor and a shed with sacks of fertiliser, among green hills. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about Brazilian farmers' debts (renegotiation, provisional measure, rural credit, Pronaf, Plano Safra), in newspapers from any country and in several languages. With a person as the first subject, their portrait is shown. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: 100 and 50 real banknotes, a calculator and papers on a desk, next to a small Brazilian flag, with the National Congress in Brasília seen through the window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for Brazilian press stories about public debt and public accounts (federal and gross debt, primary deficit or surplus, state-owned companies' shortfall). It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: 100 and 50 real banknotes, a calculator and papers on a desk, next to a small Brazilian flag, with the National Congress in Brasília seen through the window. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories that combine Brazil and public debt or the deficit, in newspapers from any country and in several languages. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: Lula da Silva with a raised fist amid a crowd waving Brazilian and PT flags, with the National Congress lit up in the background. The scene did not happen. Author: Pedro Cardoso (gerada por IA), 2026-10-26. Used for stories about Lula's win in the presidential election (not those about votes abroad or governors). It shows a real person in a scene that did not happen, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: Nicki Minaj, in a white fur coat, looks at Donald Trump, who speaks at a rally podium and points towards her, with a red-capped crowd and the US flag in the background. It is not a photograph of the rally. Author: Pedro Cardoso (gerada por IA), 2026-10-26. Used for stories about Nicki Minaj with Donald Trump (the Michigan rally, 25 Oct 2026). It shows real people in a scene recreated by AI, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: the Louisiana State University (LSU) Student Union building, of glass and pale concrete, with staircases, among oak trees, and in front a stone wall with the gold letters «LSU STUDENT UNION». It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Used for stories in which LSU (Louisiana State University) is the main subject, in newspapers from any country and in several languages; when the headline starts with a person who has a portrait (e.g. «Melania Trump and LSU…»), their portrait is used, with the LSU seal beside it. It shows LSU's Student Union recreated by AI.
  • AI-generated illustration, with the label burned into the image: Alberta Highway 93 reaching the toll booths of a Canadian national park, among pine trees, with a snow-capped mountain behind and, on the right, a green bilingual sign: «Park Pass required / Laissez-passer de parc obligatoire». It is not a photograph. Author: Pedro Cardoso (gerada por IA a partir da foto de Dwayne Reilander), 2026-11-08. Used for stories that name Parks Canada (Parcs Canada in French), the Canadian federal national parks agency, in newspapers from any country and in several languages; when the headline starts with a person who has a portrait, the portrait is used, with the Parks Canada beaver beside it. It shows a national park entrance recreated by AI.
  • AI-generated illustration, with the label burned into the image: at a food bank counter, a volunteer hands a cardboard box with rice, pasta, chickpeas, milk, vegetables and fruit to a man and a woman carrying a cloth bag, with shelves of food behind; the faces are blurred. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Used for stories about food aid for families (food banks, food parcels, social canteens, the US SNAP programme), in newspapers from any country and in several languages. Not used for humanitarian crises, wars and famines (Gaza, Sudan, Afghanistan, the UN and WFP), nor for grocery-basket prices; when the headline starts with a person who has a portrait, the portrait is used.
  • AI-generated illustration, with the label burned into the image: in a small kitchen, with Lisbon tiles outside the window, a worried man and woman go over bills with a calculator on the table; beside them, an open suitcase with folded clothes and another one standing, closed. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Used for stories about immigrants (or emigrants) pushed out, or stretched thin, by the cost of living, rents or housing, in newspapers from any country and in several languages. Not used for food aid (it has its own illustration), housing protests, deportations, borders or shipwrecks; when the headline starts with a person who has a portrait, the portrait is used.
  • AI-generated illustration, with the label burned into the image: the columned façade of the University of Lisbon Rectorate, with blue-tiled wings and the Portuguese flag flying, on a cobbled square under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-05. Used for stories that name the University of Lisbon (in full, «ULisboa», or the acronym «UL» in capitals with a higher-education word in the headline: university, rector, faculty, students, fees…). It shows the Rectorate recreated by AI, with the label burned in. Stories about the Cidade Universitária without the University (Brazilians voting, the Aula Magna) keep the photograph of the Rectorate.
  • AI-generated illustration, with the label burned into the image: a large aircraft maintenance hangar with glass doors numbered 1 to 4 and the «Lufthansa Technik» sign with the crane, in the late afternoon. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-03. Used for stories about Lufthansa Technik, the Lufthansa group's aircraft maintenance company, in Portuguese and other languages. It shows a hangar recreated by AI from real references.
  • AI-generated illustration, with the label burned into the image: an Amorim Cork building, recreated from other references: white, with the «Amorim Cork» logo on the façade, a car park in front and a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about Corticeira Amorim and its companies (Amorim Cork, Amorim Revestimentos, Amorim Isolamentos…), in Portuguese and other languages, for example «Corticeira Amorim profit falls 22.4%…». It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: an empty television and radio studio, with a TV camera on the left, a microphone and headphones on a desk on the right and the Czech flag in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-03. Used for stories about Czech public television and radio (Česká televize, Český rozhlas, ČT24, Radiožurnál), the fees that fund them and the Czech government's strikes and plans around them, in Portuguese, Czech, English, French, German, Spanish and Italian, for example «Czech public TV and radio go on strike against government plan». It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: the NOS headquarters building, with a blue glass façade bearing the company logo, on a tree-lined square under a blue sky. Recreated from real photographs. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-04. Used for stories about NOS, the telecoms company (results, deals, the operator), in newspapers from any country. «NOS» only counts in capitals, because «nos» is a common Portuguese word; the NOS Alive festival is left out. It shows the headquarters recreated by AI from real photographs, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the curved wall of a concrete dam between rocky slopes with holm oaks, the power station at the bottom of the valley and, behind it, a large reservoir with islands, under heavy clouds and distant rain. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories that name Alqueva (the dam, the reservoir, irrigation, EDIA, releases during storms), in newspapers from any country. It goes ahead of the storm images. When the headline starts with a person who has a portrait, their portrait is used. It shows an AI-created scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an exposed-concrete office building with slanted volumes, a glazed entrance and a glass façade with black frames; on the wall, the E-REDES logo, «Distribuição de Eletricidade», on a clear day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories that name E-REDES (formerly EDP Distribuição), in newspapers from any country and language: power cuts in bad weather, crisis plans, power restoration, the grid. It comes before the bad-weather images and the EDP headquarters, which would otherwise win the tie. Scams by fake technicians and thefts are left out. When the headline starts with a person who has a portrait, their portrait is used instead. It shows an E-REDES building recreated by AI.
  • AI-generated illustration, with the label burned into the image: an exposed-concrete office building with slanted volumes, a glazed entrance and a glass façade with black frames; on the wall, the E-REDES logo, «Distribuição de Eletricidade», on a clear day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for Portuguese newspaper stories about customers without electricity, power cuts and outages and the power grid, even when E-REDES (the distributor in mainland Portugal) is not named. It comes before the bad-weather images. Stories about other countries (Ukraine, Brazil, Spain, typhoons…), about REN (the transmission grid) and scams are left out. It shows an E-REDES building recreated by AI.
  • AI-generated illustration, with the label burned into the image: an exposed-concrete office building with slanted volumes, a glazed entrance and a glass façade with black frames; on the wall, the E-REDES logo, «Distribuição de Eletricidade», on a clear day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories in newspapers from other countries about power cuts in Portugal (Portugal or the Portuguese with a power-outage word, in English, Spanish, French, Italian, German and Portuguese). The Iberian blackout, which involved the Spanish and Portuguese transmission grids, is left out. It shows an E-REDES building recreated by AI.
  • AI-generated illustration, with the label burned into the image: the stone wall of the Portuguese Attorney General's Office in Lisbon, with the lettering «Procuradoria-Geral da República», the coat of arms, a wooden door and the balustrade, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-06. Used for stories in the Portuguese press that name the Public Prosecution Service or the Attorney General's Office (in full, or «MP» and «PGR» in capitals). Brazil's and other Portuguese-speaking countries' prosecutors, British MPs and the European Public Prosecutor's Office are left out. It shows the façade of the PGR recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the stone wall of the Portuguese Attorney General's Office in Lisbon, with the lettering «Procuradoria-Geral da República», the coat of arms, a wooden door and the balustrade, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-06. Used for stories in newspapers from any country that name Portugal's Public Prosecution Service, in several languages («Portuguese prosecutors», «fiscalía portuguesa», «parquet portugais», «procura portoghese», «portugiesische Staatsanwaltschaft»). It shows the façade of the PGR recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an office desk with euro notes and coins on account sheets with bar charts, a calculator, a pen, a notebook and a cup of coffee. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about bank profits and results (BPI, BCP, Caixa, Novo Banco, Santander and banks in general), in Portuguese and other languages. The Bank of Portugal, central banks, Brazilian banks and banks that already have their own image (Goldman Sachs, Sabadell) are left out. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: two small table flags, Portugal's and Venezuela's, side by side on the wooden counter of a bakery, with bread on the shelves and two bakers in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for stories about Portugal and Venezuela and about the Portuguese and Portuguese-descendant community in Venezuela (the diaspora, emigrants, Madeira), in Portuguese and other languages, for example «Portugal says diaspora is a strategic asset for Venezuela's economic recovery». Stories that also mention the United States, Colombia or Brazil, and football, are left out. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a sunlit kitchen table with a salmon fillet, boiled eggs, an amber glass jar and three yellow vitamin D capsules, with blue tiles in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-02. Used for health stories about vitamin D and other vitamins, dietary supplements and nutrient deficiencies, in Portuguese and other languages, for example «A "large percentage of the Portuguese population" lacks vitamin D». It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a container terminal on the Tagus, with cranes, lorries and a loaded ship, the Portuguese flag in the foreground and Lisbon and the 25 de Abril Bridge in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for Portuguese press stories about economic growth and GDP (for example, Statistics Portugal's quarterly estimate), even when the headline only says «Economy slows». Stories about other countries' economies or the euro area are left out. It shows a scene recreated by AI.
  • AI-generated illustration, with the label burned into the image: a container terminal on the Tagus, with cranes, lorries and a loaded ship, the Portuguese flag in the foreground and Lisbon and the 25 de Abril Bridge in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-30. Used for stories that combine Portugal and the economy, GDP or exports, in newspapers from any country and in several languages (including when they compare Portugal with the euro area). It shows a scene recreated by AI.
  • AI-generated illustration: the National Congress in Brasília in the late afternoon, with its twin towers and the domes of the Senate and Chamber of Deputies reflected in the pool. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used for stories about the elections in Brazil.
  • AI-generated illustration, with the label burned into the image: PSP officers with helmets and shields advance on protesters in Rossio Square, Lisbon, at night, with the D. Maria II National Theatre in the background. It is not a photograph of the event. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used only for stories in the Portuguese press about police and protesters in Rossio. It is a realistic scene of a real event that was not photographed like this, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: PSP officers with helmets and shields advance on protesters in Rossio Square, Lisbon, at night, with the D. Maria II National Theatre in the background. It is not a photograph of the event. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Also when the headline names Lisbon without Rossio and links the protesters (or the camp) to the police, arrests or the court. Same AI illustration of the PSP at Rossio.
  • AI-generated illustration, with the label burned into the image: a line of riot police officers with helmets and shields, seen from behind, facing a crowd of protesters in a cobbled square in Porto at dusk, with houses and towers in the background. It is not a photograph of the event. Author: Pedro Cardoso (gerada por IA), 2026-11-01. Used for stories in the Portuguese press that combine Porto, the police (charges, clashes, arrests, injuries) and the protesters or the protest camp. It is a realistic scene of a real event that was not photographed like this, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: a line of riot police officers with helmets and shields, seen from behind, facing a crowd of protesters in a cobbled square in Porto at dusk, with houses and towers in the background. It is not a photograph of the event. Author: Pedro Cardoso (gerada por IA), 2026-11-01. Also when the headline does not say where it happened («New clashes between police and protesters…»), as long as it is about police clashes or charges on protesters and another Portuguese newspaper in the same story names Porto. It is a realistic scene that was not photographed like this, with the «Ilustração gerada por IA» label burned into the image.
  • AI-generated illustration, with the label burned into the image: blue, green and grey camping tents pitched on the wavy Portuguese pavement of Rossio Square, Lisbon, on a cloudy day, with a few people sitting and standing among them, café terraces and yellow Baixa buildings on the left, the column of Pedro IV in the centre and the D. Maria II National Theatre in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. For Portuguese-press stories about the housing protest camp in Lisbon, when the headline links the camp or the tents to Lisbon, Rossio, the Baixa, Lisbon City Council or the Christmas market (7 Nov 2026, Pedro's illustration). Stories about the police, arrests or the courts keep the PSP-at-Rossio illustration; the Porto camp has its own.
  • AI-generated illustration, with the label burned into the image: blue, green and grey camping tents pitched on the wavy Portuguese pavement of Rossio Square, Lisbon, on a cloudy day, with a few people sitting and standing among them, café terraces and yellow Baixa buildings on the left, the column of Pedro IV in the centre and the D. Maria II National Theatre in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Also when the headline names Rossio and the protesters, activists, shopkeepers or the nights spent in the square, without the police or the courts. Same AI illustration of the tents in Rossio.
  • AI-generated illustration, with the label burned into the image: blue, green and grey camping tents pitched on the wavy Portuguese pavement of Rossio Square, Lisbon, on a cloudy day, with a few people sitting and standing among them, café terraces and yellow Baixa buildings on the left, the column of Pedro IV in the centre and the D. Maria II National Theatre in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. Also when the headline only says «Acampada» without saying where, as long as another Portuguese headline in the same story names Lisbon or Rossio. Same AI illustration.
  • AI-generated illustration, with the label burned into the image: blue, green and grey camping tents pitched on the wavy Portuguese pavement of Rossio Square, Lisbon, on a cloudy day, with a few people sitting and standing among them, café terraces and yellow Baixa buildings on the left, the column of Pedro IV in the centre and the D. Maria II National Theatre in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. For foreign-press stories about the Lisbon protest camp: the headline must name the camp or the tents (protest camp, campement, Zeltlager, accampamento…) and Lisbon or Rossio. The police, evictions and the Porto or Madrid camps are left out.
  • AI-generated illustration, with the label burned into the image: green, orange and blue camping tents pitched on the wet paving of a square in Porto on a rainy day, with two protesters stretching a tarpaulin over a tent, people with umbrellas and raincoats around them, stone benches, street lamps and granite buildings in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. For Portuguese-press stories about the housing protest camp in Porto, when the headline links the camp or the tents to Porto or Praça de D. João I (8 Nov 2026, Pedro's illustration). Stories about the police, arrests or the courts keep the Porto clashes illustration; with Lisbon or Rossio in the headline, the Rossio one; Porto City Council and Pedro Duarte keep the City Hall photo.
  • AI-generated illustration, with the label burned into the image: green, orange and blue camping tents pitched on the wet paving of a square in Porto on a rainy day, with two protesters stretching a tarpaulin over a tent, people with umbrellas and raincoats around them, stone benches, street lamps and granite buildings in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Also when the headline names Praça de D. João I and the protesters, activists, tents, nights in the square or the bad weather, without the police or the courts. Same AI illustration of the tents in Porto.
  • AI-generated illustration, with the label burned into the image: green, orange and blue camping tents pitched on the wet paving of a square in Porto on a rainy day, with two protesters stretching a tarpaulin over a tent, people with umbrellas and raincoats around them, stone benches, street lamps and granite buildings in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. Also when the headline only says «Acampada» without saying where, as long as another Portuguese headline in the same story names Porto or Praça de D. João I and the headline does not mention Lisbon or Rossio. Same AI illustration.
  • AI-generated illustration, with the label burned into the image: green, orange and blue camping tents pitched on the wet paving of a square in Porto on a rainy day, with two protesters stretching a tarpaulin over a tent, people with umbrellas and raincoats around them, stone benches, street lamps and granite buildings in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-08. For foreign-press stories about the Porto protest camp: the headline must name the camp or the tents (protest camp, campement, Zeltlager, accampamento…) and Porto (Oporto). The police, evictions, the city council and the Lisbon camp are left out.
  • AI-generated illustration, with the label burned into the image: the emergency entrance of a Portuguese hospital, with the red sign «URGÊNCIAS» (emergency) on a concrete canopy, lit glass doors through which two health workers walk in, a white ambulance with a red stripe parked on the right, a wooden bench and wet Portuguese cobbles, in heavy rain. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories in the Portuguese press about hospitals, emergency departments, health centres and the SNS in Portugal, for example «Hospitals and health centres in Greater Lisbon and the South reschedule appointments and tests. Ministry asks for reinforced emergency departments» (11 Nov 2026). Left out when the story is about hospitals in other countries (Gaza, Ukraine, Brazil…) or about accidents and crimes («taken to hospital»). It gives way to the INEM headquarters, patient transport, the Aveiro and Algarve local health units, and to the portrait of whoever is the first subject of the headline. It shows a scene recreated by AI, with the label burned in, including on the sharing image.
  • AI-generated illustration, with the label burned into the image: the emergency entrance of a Portuguese hospital, with the red sign «URGÊNCIAS» (emergency) on a concrete canopy, lit glass doors through which two health workers walk in, a white ambulance with a red stripe parked on the right, a wooden bench and wet Portuguese cobbles, in heavy rain. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Stories in newspapers from other countries (Brazil, Spain, the UK…) about hospitals, emergency departments and the SNS in Portugal: Portugal, the Portuguese or Lisbon in the headline, with a hospital or emergency word in several languages. The same exceptions as for the Portuguese press.
  • AI-generated illustration, with the label burned into the image: a two-storey Portuguese school with white walls and a tiled roof, seen from the street through a closed green gate, with the playground empty and flooded, heavy rain, trees bent by the wind and a dark sky; wet cobbled pavement in front. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Portuguese press stories about classes suspended and schools closed because of bad weather (a school word, a closure or suspension word and a bad-weather word, in pt/en/es/fr/it/de). It comes before the low-pressure, fallen-tree and storm images, which would otherwise win the tie. Not other countries, samba schools or metaphors. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a two-storey Portuguese school with white walls and a tiled roof, seen from the street through a closed green gate, with the playground empty and flooded, heavy rain, trees bent by the wind and a dark sky; wet cobbled pavement in front. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Stories in newspapers from other countries about classes suspended and schools closed in Portugal because of bad weather: Portugal, the Portuguese or Lisbon in the headline, with a school word, a closure word and a bad-weather word. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a large tree torn out by its roots, with the root ball exposed, lying across a wet road in a suburb of red-roofed houses, with branches and leaves strewn on the asphalt, rain, and other trees bent by the wind in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about trees brought down or uprooted by wind and rain, in newspapers from any country and in several languages (pt, en, es, fr, it, de), e.g. «Heavy wind downs trees, closing roads and knocking out power». It wins over the general bad-weather images (the Atlantic low, warnings with no region) because it shows what happened; Lisbon stories keep the Lisbon images; tornadoes and typhoons (which have their own images), tree felling, olive trees, Christmas trees and metaphors are left out. When the headline starts with a person who has a portrait, their portrait is used. It shows an AI-made scene, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a large tree torn out by its roots, with the root ball exposed, lying across a wet road in a suburb of red-roofed houses, with branches and leaves strewn on the asphalt, rain, and other trees bent by the wind in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. The same image when the headline separates the tree from the word saying it fell (e.g. «Uprooted peepal tree damages eight cars», «Einzelne Bäume nach Sturmnacht umgestürzt»).
  • AI-generated illustration, with the label burned into the image: a street of houses and low-rise buildings in Leiria, by day, flooded in heavy rain, with water running over the Portuguese pavement and gushing from a drain, branches and leaves torn off by the wind on the ground and parked cars in the distance. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about bad weather in Leiria and its district (heavy rain, storms, floods, flooded streets, wind, IPMA warnings), from newspapers in any country and in several languages. When the headline opens with a person who has a portrait («Mau tempo. Autarca de Leiria diz…»), that portrait is used instead. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a winding country road in inland Portugal, by day, in heavy rain, between moss-covered stone walls and eucalyptus trees bent by the wind, with water running along the verge and mist hiding the hills behind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Portuguese press stories about rain and bad weather on the roads (closed roads, wet surfaces, drivers, motorways), anywhere on the mainland. Not the islands, other countries or road safety in general. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a street in a Portuguese town at night, in heavy rain and wind, with balconied buildings and shuttered shops, street lamps lit, trees bent by the wind, the wet pavement and asphalt reflecting the lights and parked cars in the distance. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Stories about bad weather in a mainland city outside Lisbon and Leiria (Porto, Braga, Coimbra, Aveiro, Setúbal, Faro, Évora…), at night (7pm–7am Lisbon time) or when the headline mentions the night. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a winding country road in inland Portugal, by day, in heavy rain, between moss-covered stone walls and eucalyptus trees bent by the wind, with water running along the verge and mist hiding the hills behind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. By day (7am–7pm Lisbon time), stories about bad weather in northern and central Portugal (Minho, Braga, Trás-os-Montes, Douro, Viseu, Guarda, Serra da Estrela, Coimbra, Aveiro…), in several languages. Porto is left out. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a storm front with dark clouds and curtains of rain over green wheat fields and olive trees in southern Portugal, with a whitewashed farmhouse in the distance and the crop bent by the wind in the foreground. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Stories about bad weather (heavy rain, thunderstorms, hail, wind) in the Alentejo, Ribatejo, Beira Baixa and the Algarve, or about damage to farming, in several languages. At night, the cities of these regions get the night street. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a street in Lisbon's Baixa at night, flooded and in heavy rain, with yellow Pombaline buildings lit by street lamps, two parked cars with water up to their wheels, two people with umbrellas sheltering in a doorway and the Rua Augusta Arch in the distance. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about floods and flooded streets in Lisbon and the surrounding municipalities, in several languages, at night (7pm–7am Lisbon time) or when the headline mentions the night. It takes precedence over the general storm images. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a street in Lisbon's Baixa at night, flooded and in heavy rain, with yellow Pombaline buildings lit by street lamps, two parked cars with water up to their wheels, two people with umbrellas sheltering in a doorway and the Rua Augusta Arch in the distance. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Also for Portuguese press stories about flooding when the headline names no region. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an avenue in Lisbon's Parque das Nações by day, flooded and in the rain, with cars standing in water up to their wheels, people in raincoats sheltering at a building entrance, the roof of Oriente station and the Vasco da Gama Tower in the distance. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about floods and flooded streets in Lisbon and the surrounding municipalities, in several languages, by day (7am–7pm Lisbon time). It takes precedence over the general storm images. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an avenue in Lisbon's Parque das Nações by day, flooded and in the rain, with cars standing in water up to their wheels, people in raincoats sheltering at a building entrance, the roof of Oriente station and the Vasco da Gama Tower in the distance. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Also for Portuguese press stories about flooding when the headline names no region. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: Madeira's north coast under heavy clouds and rain, with rough sea breaking on black rocks, white houses with orange roofs on the hillside, green cliffs in the distance and palm trees bent by the wind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about bad weather in Madeira (storms, heavy rain, wind, rough seas, IPMA warnings, cancelled flights), in newspapers from any country and in several languages, when the headline names Madeira, Funchal, Porto Santo or another municipality of the region. The headline naming Madeira plus one source mentioning it is enough (11 Nov 2026). Timber, the Madeira River and football are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an Atlantic low seen from a satellite, its spiral of clouds over the ocean moving into mainland Portugal and Spain, with North Africa below. It is not a real satellite image. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Portuguese press only: stories about lows and storms hitting the country (red or orange warnings in several districts, IPMA, rain and wind), e.g. «Depressão Charles. Oito distritos sob aviso vermelho na quarta-feira». Stories naming Lisbon keep the Lisbon images; depression as an illness and figurative «storms» are left out.
  • AI-generated illustration, with the label burned into the image: Praça do Comércio in Lisbon at night, in heavy rain under dark storm clouds, with the Rua Augusta Arch lit up, street lamps on, the wet paving reflecting the lights and people with umbrellas and raincoats crossing the square against the wind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about bad weather in Lisbon and the surrounding municipalities (storms, heavy rain, low-pressure systems, flooding, wind, IPMA warnings), in newspapers from any country and in several languages, for example «Temporal provoca inundações em Lisboa» or «Storm floods streets in Lisbon». Stories naming other regions, the protest camp and figurative «storms» are left out. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: Praça do Comércio in Lisbon at night, in heavy rain under dark storm clouds, with the Rua Augusta Arch lit up, street lamps on, the wet paving reflecting the lights and people with umbrellas and raincoats crossing the square against the wind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Stories about Storm Bruna in Portugal, in newspapers from any country (for example «Storm Bruna hits Portugal»), without other regions or Spain in the headline. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: Praça do Comércio in Lisbon at night, in heavy rain under dark storm clouds, with the Rua Augusta Arch lit up, street lamps on, the wet paving reflecting the lights and people with umbrellas and raincoats crossing the square against the wind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Also for Portuguese press stories about bad weather in the country when the headline names no region (for example «IPMA raises warning to orange due to rain» or «Low-pressure system brings heavy rain and wind»). If the headline names Porto, the Algarve, the islands or another region, or another country, the image is not used. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: Cais das Colunas and Terreiro do Paço in Lisbon by day, in heavy rain and wind, with the rough Tagus washing over the quay, trees bent by the wind, wet paving and the Rua Augusta Arch in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. By day (7am–7pm Lisbon time), for storm stories in Lisbon and the surrounding municipalities that mention wind, gusts, rough seas or Civil Protection. It comes before the Belém Tower image, which keeps the other daytime rain stories.
  • AI-generated illustration, with the label burned into the image: Cais das Colunas and Terreiro do Paço in Lisbon by day, in heavy rain and wind, with the rough Tagus washing over the quay, trees bent by the wind, wet paving and the Rua Augusta Arch in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. By day, Portuguese press only, when the headline names no place and mentions Civil Protection, gusts, strong wind or rough seas.
  • AI-generated illustration, with the label burned into the image: the Belém Tower in Lisbon by day, in heavy rain under grey clouds, with the rough Tagus breaking against the stone, the 25 de Abril Bridge and the Cristo Rei in the distance, and people with umbrellas and raincoats walking along the wet promenade. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about bad weather in Lisbon and the surrounding municipalities (storms, heavy rain, low-pressure systems, flooding, wind, IPMA warnings), in newspapers from any country and in several languages, for example «Temporal provoca inundações em Lisboa» or «Storm floods streets in Lisbon». Stories naming other regions, the protest camp and figurative «storms» are left out. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the Belém Tower in Lisbon by day, in heavy rain under grey clouds, with the rough Tagus breaking against the stone, the 25 de Abril Bridge and the Cristo Rei in the distance, and people with umbrellas and raincoats walking along the wet promenade. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Stories about Storm Bruna in Portugal, in newspapers from any country (for example «Storm Bruna hits Portugal»), without other regions or Spain in the headline. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the Belém Tower in Lisbon by day, in heavy rain under grey clouds, with the rough Tagus breaking against the stone, the 25 de Abril Bridge and the Cristo Rei in the distance, and people with umbrellas and raincoats walking along the wet promenade. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Also for Portuguese press stories about bad weather in the country when the headline names no region (for example «IPMA raises warning to orange due to rain» or «Low-pressure system brings heavy rain and wind»). If the headline names Porto, the Algarve, the islands or another region, or another country, the image is not used. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an Atlantic low seen from a satellite, its spiral of clouds over the ocean moving into mainland Portugal and Spain, with North Africa below. It is not a real satellite image. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Stories in newspapers from other countries about storms and low-pressure systems hitting Portugal (Portugal or the Portuguese in the headline with a storm or warning word). Until now these stories only had the flag, because the bad-weather images only counted the Portuguese press. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a reservoir with little water at the bottom of a valley, its banks exposed with marks of the old water level; in the foreground, the dry bed cracked into plates, with dry grass on either side; around it, hills of Mediterranean oak woodland and olive trees under a clear summer sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. General image for drought: used for stories about drought, water shortages and low reservoirs in Portugal and Spain, in Portuguese and Spanish newspapers and in foreign ones that name Portugal, Spain or a region of the Peninsula, in several languages, when no more specific image fits (the Alqueva dam, Gross Dam in Denver, the Alentejo fields…). When the headline opens with a person who has a portrait, that portrait is used instead. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a reservoir with little water at the bottom of a valley, its banks exposed with marks of the old water level; in the foreground, the dry bed cracked into plates, with dry grass on either side; around it, hills of Mediterranean oak woodland and olive trees under a clear summer sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. General image for drought: used for stories about drought, water shortages and low reservoirs in Portugal and Spain, in Portuguese and Spanish newspapers and in foreign ones that name Portugal, Spain or a region of the Peninsula, in several languages, when no more specific image fits (the Alqueva dam, Gross Dam in Denver, the Alentejo fields…). When the headline opens with a person who has a portrait, that portrait is used instead. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a reservoir with little water at the bottom of a valley, its banks exposed with marks of the old water level; in the foreground, the dry bed cracked into plates, with dry grass on either side; around it, hills of Mediterranean oak woodland and olive trees under a clear summer sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. General image for drought: used for stories about drought, water shortages and low reservoirs in Portugal and Spain, in Portuguese and Spanish newspapers and in foreign ones that name Portugal, Spain or a region of the Peninsula, in several languages, when no more specific image fits (the Alqueva dam, Gross Dam in Denver, the Alentejo fields…). When the headline opens with a person who has a portrait, that portrait is used instead. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a reservoir with little water at the bottom of a valley, its banks exposed with marks of the old water level; in the foreground, the dry bed cracked into plates, with dry grass on either side; around it, hills of Mediterranean oak woodland and olive trees under a clear summer sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. General image for drought: used for stories about drought, water shortages and low reservoirs in Portugal and Spain, in Portuguese and Spanish newspapers and in foreign ones that name Portugal, Spain or a region of the Peninsula, in several languages, when no more specific image fits (the Alqueva dam, Gross Dam in Denver, the Alentejo fields…). When the headline opens with a person who has a portrait, that portrait is used instead. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a street in a Portuguese town by day, in the rain, with blue-tiled façades and iron balconies, wet Portuguese cobblestones shining, and several people walking under umbrellas; in the foreground, seen from behind, a woman in a dark raincoat carrying shopping bags. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. General image for bad weather in Portugal: used for stories about rain, storms, floods, wind and IPMA warnings in Portuguese newspapers, when no more specific image fits (Lisbon, Leiria, roads, fields, schools, the depression seen from space, Madeira). When the headline opens with a person who has a portrait, that portrait is used instead. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: protesters with PCP and CGTP flags and a banner for workers' rights in Terreiro do Paço, Lisbon, facing a line of PSP officers, with the Rua Augusta Arch and the statue of King José in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used only for stories in the Portuguese press about PCP or CGTP demonstrations and protests and the right to demonstrate. It is a realistic scene, with the police, that was not photographed like this, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: a patient transport technician and a nurse wheel a patient up the ramp of an adapted van at the entrance of a hospital flying the Portuguese flag, with other patient transport vans parked alongside. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used only for stories in the Portuguese press about patient transport (non-emergency transport in adapted vans, and the companies and fire brigades that provide it). As it is a realistic scene that was not photographed, the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: a woman in a trench coat with an umbrella crosses a zebra crossing on a wet street lined with red-roofed houses; cars with headlights on wait and, on the right, a pedestrian-crossing sign and a 50 km/h speed-limit sign. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about road safety, road deaths statistics, pedestrian crossings and pedestrians, speed limits and speed cameras, in newspapers from any country and in several languages, for example «Road safety: from strategy to action». Not used for stories about a single pedestrian being hit or a fatal crash. It shows a scene recreated by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the National Congress in Brasília, with its two towers, dome and bowl, the reflecting pool in front and, on each side, the avenues and ministry buildings of the Monumental Axis, on a sunny day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about the Federal District in Brazilian newspapers: «DF» in capitals, Distrito Federal, the district government and legislature, the DF police and services, its administrative regions and the weather in Brasília. «Brasília» alone (the federal government) keeps the general photo of Congress. With a person as the first subject, their portrait is shown. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a single-storey house with its roof torn off and covered by a blue tarpaulin, roof tiles and bricks stacked by the door and, behind, unfinished new brick houses; a couple, seen from behind, look down the street of a small town in the interior of Paraná. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about tornadoes in Paraná, Santa Catarina, Rio Grande do Sul and southern Brazil (damage, emergencies, displaced people and rebuilding of homes), in newspapers from any country and in several languages. Argentina and neighbouring countries, the Tornado aircraft and football are left out. With a person as the first subject, their portrait is shown. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a wide, almost empty avenue in Santiago, Chile, on a day of intense heat, with the asphalt shimmering, old buildings and trees on one side, the Chilean flag on a façade, the Entel Tower and the mountains in the distance, and in the foreground a woman in a straw hat with a water bottle walking in the shade. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for Chilean press stories about heat and heatwaves (extreme temperatures, heat alerts from Senapred and the weather service), even when the headline does not name Chile. Wildfires, football, heat in other countries and metaphors are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a wide, almost empty avenue in Santiago, Chile, on a day of intense heat, with the asphalt shimmering, old buildings and trees on one side, the Chilean flag on a façade, the Entel Tower and the mountains in the distance, and in the foreground a woman in a straw hat with a water bottle walking in the shade. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories in newspapers from other countries about heat and heatwaves in Chile, in several languages: Chile, Chileans, Santiago, another Chilean city or Senapred in the headline, with a heat word. Wildfires, football and metaphors are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the white façade of a health building with the sign «Unidade Local de Saúde Região de Aveiro» (Aveiro Region Local Health Unit), red brick walls and blue-and-white tiles, and a glazed entrance bearing the Portuguese Republic and SNS (national health service) symbols, with steps and a handrail. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about the Aveiro Region Local Health Unit (ULS de Aveiro) and Aveiro Hospital (Hospital Infante D. Pedro), in Portuguese and other languages, for example «Director of the Aveiro ULS arrested on suspicion of corruption». It shows an entrance recreated by AI, with the label burned in, including on the sharing image.
  • AI-generated illustration, with the label burned into the image: the main entrance of a white multi-storey hospital, with a white lattice canopy on round columns, the sign «Unidade Local de Saúde Algarve» (Algarve Local Health Unit), green-framed glass doors, brick walls and trees around it, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about the Algarve Local Health Unit (ULS Algarve) and the Faro, Portimão and Lagos hospitals, in Portuguese and other languages, for example «Health minister to dismiss the board chair of ULS Algarve». It shows an entrance recreated by AI, with the label burned in, including on the sharing image.
  • AI-generated illustration, with the label burned into the image: four European Union flags, blue with the twelve golden stars, flying on metal poles in front of the curved glass-and-louvre façade of the Berlaymont building, the European Commission's headquarters in Brussels, with hedges in front and a blue sky with clouds. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about the European Union and its institutions (the Commission, Parliament and Council, the commissioners, the EU budget and funds, «Brussels approves…»), in newspapers from any country and in several languages, for example «European Union closes deal on a 2027 budget of almost 200 billion euros» (11 Nov 2026, Pedro's illustration). «UE»/«EU» only count in capitals, and «EU» does not count in Spanish (it means the United States in Mexico). The EU seal stays on the card. It is a general image: when the story has its own image (the ECB, Google, defence…) that one is used, and with a person as the first subject of the headline (Von der Leyen, Costa…) their portrait is shown. Football (Europa League, UEFA) and Eurovision are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a dark blue panel with the United Nations emblem and the words «COP31 – UN Climate Change Conference», among plants, at the entrance of a conference room with tables, microphones and water bottles, where delegates in suits talk in front of large glass windows with trees outside. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about COP31, the UN Climate Change Conference (Antalya, Türkiye, November 2026), in newspapers from any country and in several languages. It is a general image: when the story has its own image (Banco da Amazônia…) that one is used, and with a person as the first subject of the headline («Lula will present environmental progress at COP31») their portrait is shown. When the headline opens with COP31 («At COP31, Lula says…»), this image is used and the person stays on the seal (Pedro, 11 Nov 2026). The COP31 seal stays on the card. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a dark blue sign with the crown-over-chequers emblem and the words «Counter Terrorism Policing – South East», fixed to a granite wall at the entrance of a building with glass doors, with a yellow and blue British police car parked in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about British counter-terrorism policing (Counter Terrorism Policing, the Met's Counter Terrorism Command, SO15), in several languages, the same ones that carry the seal. When the headline opens with a person who has a portrait, the portrait is used. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a dark blue sign with the crown-over-chequers emblem and the words «Counter Terrorism Policing – South East», fixed to a granite wall at the entrance of a building with glass doors, with a yellow and blue British police car parked in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used when the headline mentions counter-terrorism police and also names the United Kingdom (London, England, Scotland…), like the seal. Other countries' counter-terrorism police are left out. When the headline opens with a person who has a portrait, the portrait is used. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an empty courtroom with dark wood panelling, the judge's chair behind the bench, the United States flag on a pole on the left, the parties' tables with leather chairs and tall windows on the right. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-11. Used for stories about judges, courts and lawsuits in the United States (Trump's lawsuit against the BBC, trials, depositions), in several languages, when the headline combines the court and the US (or Trump). Brazil (STF, Moraes, Bolsonaro), international courts and clinical trials are left out. It is a general image: it gives way to any other image of the subject and to the portrait of the first subject.
  • AI-generated illustration, with the label burned into the image: two GNR officers, a man and a woman, seen from behind in dark green uniforms and berets with the letters GNR on their backs, beside a white patrol car with the green stripe and the Guard's emblem, on a cobbled street of white houses with green shutters; he speaks into a radio. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about the GNR (Portugal's National Republican Guard), in newspapers from any country and in several languages, for example «GNR officers save domestic-violence suspect they had arrested» (10 Nov 2026, Pedro's illustration). The GNR seal stays on the card. It is a general image: when the story has its own image (PSP and GNR demonstration, storm, road safety…) that one is used, and with a person as the first subject their portrait is shown. The band GNR is left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a typhoon seen from space, with a well-defined eye and spiral clouds over the ocean, east of the Philippines and Taiwan and south of Japan, with the coasts of China and Korea on the left. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about typhoons (the name for tropical cyclones in the northwest Pacific), in newspapers from any country and in several languages, for example «Typhoon Champi hits Taiwan». Not used when «Typhoon» is the Eurofighter jet or a hacking group. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a typhoon seen from space, with a well-defined eye and spiral clouds over the ocean, east of the Philippines and Taiwan and south of Japan, with the coasts of China and Korea on the left. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about hurricanes, cyclones and tropical storms in the northwest Pacific (the Philippines, Taiwan, Japan, China, Vietnam, Korea, Guam and the Marianas) when the story does not call them a typhoon. Not used for the South Pacific, Mexico, Hawaii, the Atlantic or the Indian Ocean, which this image does not show. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a hurricane seen from space, with a well-defined eye and spiral clouds over the Caribbean Sea, between Cuba, Jamaica, Hispaniola and Puerto Rico above and the coast of Colombia and Venezuela below. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about hurricanes, cyclones and tropical storms in the Caribbean (Cuba, Jamaica, Haiti, the Dominican Republic, Puerto Rico, the Bahamas, the Antilles…), in newspapers from any country and in several languages. Florida, the Gulf of Mexico and the Pacific are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a hurricane seen from space, with a well-defined eye and spiral clouds over the Caribbean Sea, between Cuba, Jamaica, Hispaniola and Puerto Rico above and the coast of Colombia and Venezuela below. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Stories about a hurricane that do not name the place, in several languages. If the headline names the United States, Mexico, the Pacific, Asia, the Indian Ocean or Europe, the image is not used. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a tropical cyclone seen from space, with a well-defined eye and spiral clouds over the Indian Ocean, reaching the east coast of Madagascar, with the coast of Mozambique on the left and the islands of Réunion and Mauritius at bottom right. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about cyclones and tropical storms in the southwest Indian Ocean (Madagascar, Mozambique, Mauritius, Réunion, Comoros, Mayotte), in newspapers from any country and in several languages. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a tropical cyclone seen from space, its spiral clouds over the Indian Ocean reaching the northwest coast of Australia, with the red lands of the Pilbara and the Kimberley and the turquoise coastal waters. It is not a satellite photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about cyclones and tropical storms in Australia, mainly the northwest (Western Australia, the Pilbara, the Kimberley, Broome, the Northern Territory), in newspapers from any country and in several languages. Queensland, the east coast and the Pacific islands are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the Pacific Ocean seen from space, with a band of warm water in orange and red along the equator, from the coast of Peru and Ecuador to Papua New Guinea, between Australia and New Zealand on the left and South and Central America on the right. It is not a real satellite image. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories about El Niño (and the Southern Oscillation, ENSO), in newspapers from any country and in several languages. La Niña (the opposite, cold phase) and the footballer Fernando Torres, «El Niño», are left out. It shows a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: a blue, silver and red Lisbon Metro train stopped at an underground station with its doors open, as passengers board and others walk along the platform. It is not a photograph and the people are not real. Author: Pedro Cardoso (gerada por IA), 2026-10-26. Used for stories about the Lisbon Metro (Metropolitano de Lisboa): strikes, minimum services, closed stations, works and lines. Left out when the story is about deaths or assaults. It is an AI-created scene with people who do not exist; the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: a blue, silver and red Lisbon Metro train stopped at an underground station with its doors open, as passengers board and others walk along the platform. It is not a photograph and the people are not real. Author: Pedro Cardoso (gerada por IA), 2026-10-26. For stories in the Portuguese press that only say «Metro» or «Metropolitano» (almost always Lisbon's) and talk about strikes, stations, lines or passengers. Porto Metro, Metro Sul do Tejo and Metro do Mondego are left out, as are stories about deaths or assaults.
  • AI-generated illustration, with the label burned into the image: the glass façade of the DECO PROteste headquarters in Lisbon, with the «DECO PRO Teste» sign at the top, the green tower with red triangles in the middle and cars passing on the avenue, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-26. Used for stories about DECO PROteste (the Portuguese consumer protection association), in Portuguese and other languages. It shows the headquarters in an AI-created scene: the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing. Football (Deco, the former player) and «art deco» are left out.
  • AI-generated illustration, with the label burned into the image: the glass façade of the DECO PROteste headquarters in Lisbon, with the «DECO PRO Teste» sign at the top, the green tower with red triangles in the middle and cars passing on the avenue, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-26. For stories in the Portuguese press that only say «DECO» (the consumer protection association). Football (Deco, the former player and Barcelona director) and «art deco» are left out.
  • AI-generated illustration, with the label burned into the image: Salvadoran special forces soldiers, with the Salvadoran flag on their sleeves, advance armed along a ruined street in a Haitian city, with armoured vehicles, a helicopter and the port in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used for stories about Salvadoran soldiers in Haiti (the kidnapping, the rescue operation and the special forces sent by Bukele), when the headline names Haiti and El Salvador or Bukele. As it is a realistic scene that was not photographed, the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: Gadi Eisenkot speaks and gestures next to Benjamin Netanyahu, who looks at him sideways, at a meeting table with Israeli flags and the state emblem behind them. The scene did not happen. Author: Pedro Cardoso (gerada por IA), 2026-10-25. Used only for stories that name Gadi Eisenkot and Benjamin Netanyahu. It shows real people in a scene that did not happen, so the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: protesters seen from behind, with keffiyehs, Palestinian flags and placards, in front of the United States embassy in London, a glass cube with the American flag on its pole, on a cloudy autumn day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-31. Used for stories about Palestine Action, the group banned in the UK: protests, arrests, supporters, the ban and hunger strikes (31 Oct 2026, Pedro's illustration). It is an AI-created scene; the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: protesters seen from behind, with keffiyehs, Palestinian flags and placards, in front of the United States embassy in London, a glass cube with the American flag on its pole, on a cloudy autumn day. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-31. Used for stories about pro-Palestinian protests in London and protests outside the US embassy in London, when the headline pairs London, Palestine, Gaza or the American embassy with a protest, a march or arrests, in several languages.
  • AI-generated illustration: a crowd with Israeli flags and placards in a Tel Aviv square at dusk, with skyscrapers in the background. Author: Pedro Cardoso (gerada por IA), 2026-10-24. Used for stories about protests and strikes in Israel.
  • AI-generated illustration, with the label burned into the image: protesters of all ages walk calmly along a street in Lisbon's Baixa, carrying cardboard placards («Direito à habitação», «Casas para viver») and a Portuguese flag, with São Jorge Castle in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-04. Used for stories in the Portuguese press about the housing protests called simultaneously in Portugal and other countries (20, 21 and 22 November 2026), even when the headline does not say «housing» (4 Nov 2026, Pedro's illustration). Stories about arrests, police charges, clashes and courts are left out: the image shows a peaceful march.
  • AI-generated illustration: a crowd with Portuguese flags and placards («Casa para viver, não para especular», «Salários dignos, vidas dignas») in front of Lisbon City Hall. Author: Pedro Cardoso (gerada por IA), 2026-10-24. Used for stories in the Portuguese press about protests and criticism over housing and the cost of living in Portugal.
  • AI-generated illustration, with the label burned into the image: a model of a three-storey Lisbon building, with a tiled roof, iron balconies with flower pots and blue azulejos, standing on an unfinished wooden jigsaw puzzle with loose pieces around it and a house key lying beside it, with Lisbon rooftops in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. For stories in the Portuguese press about housing in Portugal: the housing crisis, the rent and tenancy law, «moderate rents», house prices and the talks between the Government and the parties (7 Nov 2026, Pedro's illustration). Protests, camps and arrests have their own illustration, as do mortgages and Euribor; deaths, fires and collapses are left out. When the headline starts with a person who has a portrait, the portrait is used.
  • AI-generated illustration, with the label burned into the image: a model of a three-storey Lisbon building, with a tiled roof, iron balconies with flower pots and blue azulejos, standing on an unfinished wooden jigsaw puzzle with loose pieces around it and a house key lying beside it, with Lisbon rooftops in the background. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-07. For foreign-press stories about housing in Portugal: the headline must name housing, rents or renting (housing, vivienda, logement, Wohnung, abitazioni, moradia…) and Portugal or Lisbon. Protests and stories about Brazil are left out.
  • AI-generated illustration: the Old City of Jerusalem at sunset, with the walls and the Dome of the Rock. Author: Pedro Cardoso (gerada por IA), 2026-10-24. Used for stories about Israel that are not about war, attacks or protests, nor about Tel Aviv.
  • AI-generated illustration: protesters with Italian, Albanian, Belgian and European Union flags and placards against the cost of living, with police in the background. Author: Pedro Cardoso (gerada por IA), 2026-10-24. Used for stories about protests in at least two European countries, other than war stories.
  • AI-generated illustration, with the label burned into the image: the flags of Turkey, Saudi Arabia and Pakistan behind three chairs at a wooden table with folders and microphones, in front of a window overlooking Mecca, the Clock Tower and the Grand Mosque. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-31. Used for stories about the Makkah (Mecca) pact, the defence agreement between Saudi Arabia, Pakistan and Turkey, when the headline pairs Mecca with pact, agreement, alliance, treaty or defence, in several languages, even when it is about another country weighing whether to join (such as Syria). Left out of stories about the pilgrimage. It is an AI-created scene; the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: the flag of Syria, green, white and black with three red stars, on a gold pole beside a window, in a meeting room with pale stone walls, a round wooden table, chairs, a folder and a microphone. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-31. Used for stories about Syria (Damascus, President Ahmed al-Sharaa, Foreign Minister Asaad al-Shaibani), in several languages. Left out when the story is about war, attacks, bombings, deaths, terror attacks or fighting, so a calm room is not shown next to a tragedy. It is an AI-created scene; the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: the white and red flag of Poland on a pole in front of a pale stone façade with the crowned white eagle and the gold letters «Trybunał Konstytucyjny», Poland's Constitutional Tribunal, with autumn trees behind. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-10-31. Used for stories about Poland's Constitutional Tribunal (Trybunał Konstytucyjny), when the headline pairs Poland, Warsaw or one of its politicians (Tusk, Nawrocki, Kaczyński, Żurek) with the Constitutional Tribunal, in several languages. It is an AI-created scene; the label «Ilustração gerada por IA» (AI-generated illustration) is burned into the image itself, including the one used for sharing.
  • AI-generated illustration, with the label burned into the image: a view of Taipei from a wooded hill, with the Taipei 101 tower rising above the city and mountains in the distance, under a blue sky with clouds. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-05. Used for stories about Taiwan and Taipei (politics, elections, the economy, diplomacy, defence and tension with China), in Portuguese, English, Spanish, French, Italian, German, Russian, Arabic, Hebrew and Chinese. Left out for sport, concerts, typhoons and earthquakes, and stories about deaths or attacks. When the headline opens with a person who has a portrait (Xi Jinping, for example), the portrait is used. It is a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: the flags of Kuwait, Saudi Arabia, the United Arab Emirates, Qatar, Bahrain and Oman, the six members of the Gulf Cooperation Council, on flagpoles in front of a light-stone official building with palm trees, under a blue sky. It is not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-10. Used for stories that name the Gulf Cooperation Council (GCC, CCG) or the Arab Gulf states, in newspapers from any country and in several languages: summits, the joint military command, the bloc's defence and economy. The China Coast Guard (also «CCG») and sport are left out. When the headline starts with a person who has a portrait, their portrait is used. It shows the flags of the six members in a scene created by AI, with the label burned in.
  • AI-generated illustration, with the label burned into the image: an office with Nigeria's green and white flag on the wall, a bookcase and a window behind, and on a wooden desk stacked case files, an open folder with papers and a pen. Not a photograph. Author: Pedro Cardoso (gerada por IA), 2026-11-09. Used for Nigerian stories about government, parliament, elections, justice and charges (the federal government, governors and states, the Senate, the EFCC, the courts), even when the headline names only the state or the politician (Kwara, Saraki, Tinubu), in several languages. Sport, attacks, kidnappings and floods are left out. When the headline starts with a person who has a portrait, their portrait is used.

Photographs

The portraits of people shown with the news come from Wikimedia Commons. In the circles we removed the background and painted it in one of the site's colours; in the larger images the photograph is only cropped. The rest of the image is unchanged, and each altered version keeps the licence of the original. Portraits of Government members without their own page come from Commons or from official portraits whose reuse is permitted (the Government portal, the Council of the EU), credited on the Government page; when sharpness was improved with AI, the credit says so. Commentators without a free photograph appear as initials.

  • Fabian Figueiredo: Esquerda.net (recorte e redimensionamento), CC BY-SA 2.0 (Wikimedia Commons)
  • Christine Lagarde: © European Union 2020 — Source: EP (fundo e enquadramento editados com IA), CC BY 4.0 (Wikimedia Commons)
  • Fernando Haddad: Ricardo Stuckert / Palácio do Planalto (fundo da miniatura substituído com IA), CC BY 2.0 (Wikimedia Commons)
  • Jorge Pinto: Agência LUSA, CC BY 4.0 (Wikimedia Commons)
  • Kassio Nunes Marques: Alejandro Zambrana/Secom/TSE, public domain (PDM 1.0) (Wikimedia Commons)
  • Ana Mendes Godinho: Partido Socialista, CC BY-SA 4.0 (Wikimedia Commons)
  • Hardeep Singh Puri: Prime Minister's Office of India, GODL-India (Wikimedia Commons)
  • Rui Tavares: Ana Mendes / Esquerda.net, CC BY-SA 2.0 (Wikimedia Commons)
  • Kylian Mbappé: Bryan Berlin / WikiPortraits, CC BY-SA 4.0 (Wikimedia Commons)
  • Gadi Eisenkot: Yahav Trudler / Yahav Studio (fundo e enquadramento editados com IA), CC BY-SA 3.0 (Wikimedia Commons)
  • Naftali Bennett: Avi Ohayon / Government Press Office (Israel), CC BY-SA 3.0 (Wikimedia Commons)
  • Yair Golan: Shlomi Amsalem / Knesset Archives, CC BY-SA 4.0 (Wikimedia Commons)
  • Avigdor Liberman: Jette Carr / U.S. Department of Defense, public domain (Wikimedia Commons)
  • Itamar Ben-Gvir: Shlomi Amsalem / Knesset Archives, CC BY-SA 4.0 (Wikimedia Commons)
  • Bezalel Smotrich: Avi Ohayon / Government Press Office (Israel), CC BY-SA 3.0 (Wikimedia Commons)
  • Mansour Abbas: Ronen Horesh / Knesset Archives, CC BY-SA 4.0 (Wikimedia Commons)
  • Aryeh Deri: Revach Productions (רווח הפקות), CC BY-SA 3.0 (Wikimedia Commons)
  • António Costa: Frédéric Sierakowski / Conselho Europeu — © União Europeia (fundo da miniatura substituído com IA), Reutilização autorizada pelo Conselho da UE (Wikimedia Commons)
  • Santiago Peña: Isaac Castillo / Presidencia de la República del Ecuador (fundo da miniatura retirado), public domain (Wikimedia Commons)
  • Pablo Hernández de Cos: Chospo (fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Luís Pais Antunes: Conselho Económico e Social (fundo da miniatura removido), Imagem fornecida pelo editor; licença não verificada (Wikimedia Commons)
  • Luísa Neto: Assembleia da República (retrato editado com IA), Imagem fornecida pelo editor; licença não verificada (Wikimedia Commons)
  • Lula da Silva: Ricardo Stuckert / Palácio do Planalto, CC BY 2.0 (Wikimedia Commons)
  • Lula da Silva (retrato largo, recomposto com IA): Ricardo Stuckert / PR, CC BY-SA 4.0 (Wikimedia Commons)
  • Keir Starmer: Simon Dawson / No 10 Downing Street, OGL 3.0 (Wikimedia Commons)
  • Luís Montenegro: Dimitris Papamitsos / European People's Party, CC BY 2.0 (Wikimedia Commons)
  • Papa Leão XIV: Edgar Beltrán, The Pillar, CC BY-SA 4.0 (Wikimedia Commons)
  • Volodymyr Zelensky: Serviço de Imprensa do Presidente da Ucrânia, CC BY 4.0 (Wikimedia Commons)
  • Benjamin Netanyahu: Avi Ohayon / Government Press Office of Israel, CC BY-SA 3.0 (Wikimedia Commons)
  • Pedro Sánchez: Carlos Spottorno / Pool Moncloa, free use with attribution (Wikimedia Commons)
  • Xi Jinping: Simon Dawson / No 10 Downing Street, OGL 3.0 (Wikimedia Commons)
  • Donald Trump: Daniel Torok / The White House, public domain (Wikimedia Commons)
  • Vladimir Putin: Kremlin.ru, CC BY 4.0 (Wikimedia Commons)
  • Emmanuel Macron: Nebojša Tejić / STA (Governo da Eslovénia), public domain (Wikimedia Commons)
  • Luiz Fux: Rosinei Coutinho / STF, public domain (Wikimedia Commons)
  • Iliana Iotova: Presidência da República da Bulgária (president.bg), CC BY 2.5 BG (Wikimedia Commons)
  • Claudia Sheinbaum: Embaixada do Bangladesh no México (fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Gustavo Petro: Presidência da Colômbia / Juan Cano (fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Giorgia Meloni: Governo Italiano (fundo da miniatura retirado), CC BY 3.0 IT (Wikimedia Commons)
  • Serguei Lavrov: Serviço de imprensa do Conselho da Federação da Rússia (fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Mojtaba Khamenei: khamenei.ir (fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Anthony Albanese: David Foote (AUSPIC / Department of Parliamentary Services) (fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Nicolás Maduro: Ricardo Stuckert / Palácio do Planalto (fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Viktor Orbán: © União Europeia 2024 – Fonte: Parlamento Europeu, Philippe Buissin (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Mark Carney: Lea-Kim, CC BY-SA 4.0 (Wikimedia Commons)
  • Friedrich Merz: Steffen Prößdorf, CC BY-SA 4.0 (Wikimedia Commons)
  • Ursula von der Leyen: Benjamin Brolet / European People's Party, CC BY 2.0 (Wikimedia Commons)
  • Recep Tayyip Erdoğan: Rory Arnold / No 10 Downing Street, CC BY 2.0 (Wikimedia Commons)
  • Narendra Modi: Prime Minister's Office of India, GODL-India (Wikimedia Commons)
  • Sanae Takaichi: Cabinet Public Affairs Office of Japan, CC BY 4.0 (Wikimedia Commons)
  • Mohammed bin Salman: Saudi Press Agency, CC BY-SA 4.0 (Wikimedia Commons)
  • Andy Burnham: Prime Minister's Office (No 10 Downing Street), OGL 3 (Wikimedia Commons)
  • Flávio Bolsonaro: Tribunal Superior Eleitoral (TSE), CC BY 4.0 (Wikimedia Commons)
  • Jair Bolsonaro: Isac Nóbrega/PR, CC BY 2.0 (Wikimedia Commons)
  • António José Seguro: Ricardo Stuckert / Presidência da República do Brasil, CC BY-SA 4.0 (Wikimedia Commons)
  • André Ventura: Vox España, CC0 (Wikimedia Commons)
  • Nayib Bukele: AndreX, CC BY-SA 4.0 (Wikimedia Commons)
  • Aleksandar Vučić: Oliver Bunic / Comissão Europeia, CC BY 4.0 (Wikimedia Commons)
  • Vicentinho Júnior: Gustavo Lima / Câmara dos Deputados, CC BY 3.0 (Wikimedia Commons)
  • Lorenzo Pazolini: Lissa de Paula / Assembleia Legislativa do Espírito Santo, CC BY 2.0 (Wikimedia Commons)
  • Cadu Xavier: Tribunal Superior Eleitoral (DivulgaCandContas), CC BY 4.0 (Wikimedia Commons)
  • Óscar Puente: Borja Puig de la Bellacasa / La Moncloa, free use with attribution (Wikimedia Commons)
  • Sebastião Bugalho: © União Europeia 2024 – Fonte: Parlamento Europeu, reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Jorge Miranda: Instituto Brasiliense de Direito Público (nitidez melhorada com IA), CC BY 3.0 (Wikimedia Commons)
  • José Pedro Aguiar-Branco: Parlamento português / Assembleia Parlamentar da OSCE (nitidez melhorada com IA), CC BY-SA 2.0 (Wikimedia Commons)
  • Duda Salabert: Zeca Ribeiro / Câmara dos Deputados, CC BY 3.0 (Wikimedia Commons)
  • Jessica Ramos Moreno: Câmara Municipal de Londrina, official photo (Wikimedia Commons)
  • Zé Trovão: Câmara dos Deputados, CC BY 3.0 (Wikimedia Commons)
  • Rogério Marinho: Rodrigo Viana / Agência Senado, CC BY 2.0 (Wikimedia Commons)
  • Efraim Filho: Agência Senado, attribution (Agência Senado) (Wikimedia Commons)
  • Hugo Motta: Douglas Gomes / Liderança do Republicans, CC BY 4.0 (Wikimedia Commons)
  • Geraldo Alckmin: Ricardo Stuckert / Presidência da República do Brasil, CC BY-SA 4.0 (Wikimedia Commons)
  • Jorge Messias: Carlos Moura / Agência Senado, CC BY-SA 4.0 (Wikimedia Commons)
  • André de Paula: Ricardo Stuckert / Presidência da República do Brasil, CC BY 2.0 (Wikimedia Commons)
  • António Guterres: Österreichisches Außenministerium (fundo da bandeira prolongado), CC BY 2.0 (Wikimedia Commons)
  • Filipe da Bélgica: Laurie Dieffembacq — © União Europeia 2025, Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Bart De Wever: Conselho da União Europeia — © União Europeia, Reutilização autorizada pelo Conselho da UE (Wikimedia Commons)
  • María Corina Machado: Kevin Payravi, CC BY-SA 4.0 (Wikimedia Commons)
  • José Luís Carneiro: Teixeirafilipa, CC BY-SA 4.0 (Wikimedia Commons)
  • Mariana Leitão: Agência Lusa (nitidez melhorada com IA), CC BY 3.0 (Wikimedia Commons)
  • Isabel Mendes Lopes: Partido LIVRE, CC BY-SA 4.0 (Wikimedia Commons)
  • Paulo Raimundo: Agência Lusa, CC BY 3.0 (Wikimedia Commons)
  • José Manuel Pureza: Ana Mendes/Esquerda.net, CC BY-SA 2.0 (Wikimedia Commons)
  • Inês de Sousa Real: Fabio Pinto/PAN, CC0 (Wikimedia Commons)
  • Mariana Mortágua: Esquerda.net, CC BY-SA 2.0 (Wikimedia Commons)
  • Henrique Gouveia e Melo: Joseluisbolina, CC BY-SA 4.0 (Wikimedia Commons)
  • Nuno Melo: European People's Party, CC BY 2.0 (Wikimedia Commons)
  • António Leitão Amaro: Jennifer Jacquemart / Comissão Europeia (© União Europeia, 2025; nitidez melhorada com IA), CC BY 4.0 (Wikimedia Commons)
  • Paulo Rangel: Governo de Portugal, official portrait; non-profit use with the source cited, per the portal’s legal notice (Wikimedia Commons)
  • Joaquim Miranda Sarmento: Governo de Portugal, official portrait; non-profit use with the source cited, per the portal’s legal notice (Wikimedia Commons)
  • Manuel Castro Almeida: Aurore Martignoni / Comissão Europeia, CC BY 4.0 (Wikimedia Commons)
  • Gonçalo Saraiva Matias: Jennifer Jacquemart / Comissão Europeia (© União Europeia, 2025), CC BY 4.0 (Wikimedia Commons)
  • Carlos Abreu Amorim: Assembleia Nacional da Coreia do Sul (nitidez melhorada com IA), KOGL Tipo 1 (Wikimedia Commons)
  • Miguel Pinto Luz: MiguelPLuz, CC BY-SA 4.0 (Wikimedia Commons)
  • Rita Júdice: Conselho da União Europeia, reproduction authorised with the source cited, per the Council of the EU notice (Wikimedia Commons)
  • Fernando Alexandre: Governo de Portugal, official portrait; non-profit use with the source cited, per the portal’s legal notice (Wikimedia Commons)
  • Ana Paula Martins: © União Europeia (Conselho da UE; fundo e enquadramento editados com IA), Atribuição (© União Europeia) (Wikimedia Commons)
  • Maria do Rosário Palma Ramalho: Julien Nizet / Presidência belga do Conselho da UE, CC BY 2.0 (Wikimedia Commons)
  • Maria da Graça Carvalho: David Iliff, CC BY-SA 3.0 (Wikimedia Commons)
  • Margarida Balseiro Lopes: Conselho da União Europeia (nitidez melhorada com IA), reproduction authorised with the source cited, per the Council of the EU notice (Wikimedia Commons)
  • José Manuel Fernandes: Mcaldeira, CC BY-SA 4.0 (Wikimedia Commons)
  • Luís Neves: Agência Lusa, CC BY 3.0 (Wikimedia Commons)
  • Pedro Passos Coelho: FraLiss, CC BY-SA 3.0 (Wikimedia Commons)
  • Aníbal Cavaco Silva: Georges Boulougouris / Comissão Europeia (© União Europeia, 2013), CC BY 4.0 (Wikimedia Commons)
  • Marcelo Rebelo de Sousa: Web Summit / João Pedro Correia, CC BY 2.0 (Wikimedia Commons)
  • Nicki Minaj: Gage Skidmore, CC BY-SA 4.0 (Wikimedia Commons)
  • Piero Cipollone: © União Europeia / Jennifer Jacquemart — Comissão Europeia, CC BY 4.0 (Wikimedia Commons)
  • Delcy Rodríguez: Presidência da Venezuela, public domain (Wikimedia Commons)
  • Marine Le Pen: Vox España (versão recomposta com IA; fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Augusto Santos Silva: Web Summit, CC BY 2.0 (Wikimedia Commons)
  • Pedro Nuno Santos: Agência Lusa, CC BY 3.0 (Wikimedia Commons)
  • Erika Kirk: Gage Skidmore, CC BY-SA 4.0 (Wikimedia Commons)
  • Melania Trump: Régine Mahaux / Casa Branca, CC BY 3.0 US (Wikimedia Commons)
  • Dana White: Serviço de Imprensa do Presidente do Azerbaijão, CC BY 4.0 (Wikimedia Commons)
  • Meghan Markle: Fuzheado, CC BY 4.0 (Wikimedia Commons)
  • Príncipe Harry: EJ Hersom (US Department of Defense), CC BY 2.0 (Wikimedia Commons)
  • Willie Walsh: StuBaileyPhoto, CC BY-SA 4.0 (Wikimedia Commons)
  • Carlos Moedas: Luis Filipe Coelho, CC BY-SA 4.0 (Wikimedia Commons)
  • Alexandre de Moraes: Lula Oficial, CC BY-SA 2.0 (Wikimedia Commons)
  • André Mendonça: Rosinei Coutinho / STF, attribution (STF terms of use) (Wikimedia Commons)
  • Flávio Dino: Gustavo Moreno / STF, attribution (STF terms of use) (Wikimedia Commons)
  • Mauro Vieira: Luara Baggi / ASCOM MCTI, CC BY 2.0 (Wikimedia Commons)
  • Gilmar Mendes: Agência Senado / Senado Federal, CC BY 2.0 (Wikimedia Commons)
  • Jim Jordan: US Congress, public domain (Wikimedia Commons)
  • Katherine Clark: US House Creative Services, public domain (Wikimedia Commons)
  • Mark Warner: Ryan Donnell / gabinete do senador Mark Warner, public domain (Wikimedia Commons)
  • Pedro Alliana: Freddie Everett / US Department of State, public domain (Wikimedia Commons)
  • Sharad Pawar: Press Information Bureau / Ministério da Agricultura da Índia (fundo da miniatura retirado), GODL-India (Wikimedia Commons)
  • Carlos Carvallo Spalding: Banco Central del Paraguay (fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Ilse Aigner: Sandro Halank (fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Gadi Eisenkot: Yahav Trudler / Yahav Studio (fundo e enquadramento editados com IA), CC BY-SA 3.0 (Wikimedia Commons)
  • Donald Tusk: Chancelaria do Primeiro-Ministro da Polónia (KPRM) (fundo da miniatura retirado), CC BY 3.0 PL (Wikimedia Commons)
  • Fernando Henrique Cardoso: Alessandro Carvalho (fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Nadia Beller: Tiburonboliviano (fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Prabowo Subianto: Darwis Triadi / Secretaria de Estado da Indonésia (fundo da miniatura retirado), public domain (Indonesia) (Wikimedia Commons)
  • Gibran Rakabuming: Darwis Triadi / Secretaria de Estado da Indonésia (fundo da miniatura retirado), public domain (Indonesia) (Wikimedia Commons)
  • Shehbaz Sharif: Serviço de Imprensa do Presidente do Azerbaijão, president.az (fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Bukola Saraki: Conselho da Federação da Rússia (fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • José Antonio Kast: Gobierno de Chile (fundo da miniatura retirado), CC BY 3.0 CL (Wikimedia Commons)
  • Teddy Riner: Teddy Riner, redes sociais (fundo da miniatura retirado), Imagem das redes sociais de Teddy Riner, fornecida pelo editor; licença não verificada (Wikimedia Commons)
  • Jean-Luc Mélenchon: Photo : Thomas Bresson (versão recomposta com IA; fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Israel Katz: Embaixada dos EUA em Jerusalém (fundo e enquadramento editados com IA; fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Itamar Ben-Gvir (retrato 2:1): Alon Nuriel (fundo e enquadramento editados com IA), CC BY-SA 3.0 (Wikimedia Commons)
  • Kang Shin-chul: Comando de Forças Combinadas ROK–EUA / USFK (fundo e enquadramento editados com IA; fundo da miniatura retirado), public domain (Wikimedia Commons)
  • Kim Yong-hyun: Madelyn Keech / US Department of Defense (fundo e enquadramento editados com IA; fundo da miniatura retirado), public domain (Wikimedia Commons)
  • Abelardo de la Espriella: Abelardo de la Espriella / Defensores de la Patria (fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • John Whitmire: Ed Uthman, CC BY 2.0 (Wikimedia Commons)
  • Francisco Rodrigues dos Santos: Agência Lusa, CC BY 3.0 (Wikimedia Commons)
  • João Doria: Governo do Estado de São Paulo, CC BY 2.0 (Wikimedia Commons)
  • Tarcísio de Freitas: Ciete Silvério/Governo do Estado de SP, CC BY 2.0 (Wikimedia Commons)
  • Javier Milei: Gobierno de Argentina, CC BY 4.0 (Wikimedia Commons)
  • JD Vance: Emily J. Higgins, public domain (Wikimedia Commons)
  • Todd Blanche: Ryan M. Biller / US Department of Justice, public domain (Wikimedia Commons)
  • Haley Stevens: Phi Nguyen / US House of Representatives, public domain (Wikimedia Commons)
  • Abdul El-Sayed: Conlan Houston, CC BY-SA 4.0 (Wikimedia Commons)
  • Scott Colom: The Contrarian (YouTube), CC BY 4.0 (Wikimedia Commons)
  • Mike Rogers: US Congress, public domain (Wikimedia Commons)
  • Chris Murphy: Casa Branca, public domain (Wikimedia Commons)
  • Chris Pappas: US Congress, public domain (Wikimedia Commons)
  • Amy Acton: Myselfsour2724, CC BY-SA 4.0 (Wikimedia Commons)
  • Annie Andrews: Stimpus1, CC0 (Wikimedia Commons)
  • Xavier Becerra: United States Department of Health and Human Services, public domain (Wikimedia Commons)
  • Bernie Sanders: Palácio do Planalto from Brasilia, Brasil, CC BY 2.0 (Wikimedia Commons)
  • Scott Bessent: United States Department of the Treasury, public domain (Wikimedia Commons)
  • Joe Biden: Adam Schultz, public domain (Wikimedia Commons)
  • Bruce Blakeman: Arthur Raslich, CC BY-SA 4.0 (Wikimedia Commons)
  • Doug Burgum: United States Department of the Interior, public domain (Wikimedia Commons)
  • Pete Buttigieg: United States Department of Transportation, public domain (Wikimedia Commons)
  • Chris Wright: U.S. Department of Energy, public domain (Wikimedia Commons)
  • Dan Sullivan: United States Senate, public domain (Wikimedia Commons)
  • Darline Graham Nordone: Rosa Pineda, United States Senate, public domain (Wikimedia Commons)
  • Byron Donalds: United States Congress, public domain (Wikimedia Commons)
  • Doug Collins: Unknown photographer, U.S. Department of Veterans Affairs, public domain (Wikimedia Commons)
  • Sean Duffy: U.S. Department of Transportation, public domain (Wikimedia Commons)
  • Peggy Flanagan: Office of Governor Tim Walz & Lt. Governor Peggy Flanagan, public domain (Wikimedia Commons)
  • Tulsi Gabbard: Office of the Director of National Intelligence, public domain (Wikimedia Commons)
  • Jamieson Greer: Office of the United States Trade Representative, public domain (Wikimedia Commons)
  • Ashley Hinson: Iowa General Assembly, Copyrighted free use (Wikimedia Commons)
  • Kathy Hochul: KC Kratt, CC BY-SA 4.0 (Wikimedia Commons)
  • Jon Husted: United States Senate, public domain (Wikimedia Commons)
  • Hakeem Jeffries: United States Congress, public domain (Wikimedia Commons)
  • Jocelyn Benson: Joshua Qualls (Massachusetts Governor's Press Office), public domain (Wikimedia Commons)
  • John James: United States Congress, CC BY-SA 4.0 (Wikimedia Commons)
  • John E. Sununu: US Senate (author not stated), public domain (Wikimedia Commons)
  • Kamala Harris: Lawrence Jackson, public domain (Wikimedia Commons)
  • Kash Patel: Federal Bureau of Investigation, public domain (Wikimedia Commons)
  • Keisha Lance Bottoms: Office of U.S. Senator David Perdue, public domain (Wikimedia Commons)
  • Amy Klobuchar: United States Senate, public domain (Wikimedia Commons)
  • Karoline Leavitt: White House Office of the Press Secretary, public domain (Wikimedia Commons)
  • Kelly Loeffler: Office of Senator Kelly Loeffler, public domain (Wikimedia Commons)
  • Howard Lutnick: Daniel Torok, public domain (Wikimedia Commons)
  • Zohran Mamdani: Dmitryshein, CC BY-SA 4.0 (Wikimedia Commons)
  • Linda McMahon: US Government, public domain (Wikimedia Commons)
  • Mike Collins: United States Congress, public domain (Wikimedia Commons)
  • Mike Johnson: United States Congress, public domain (Wikimedia Commons)
  • Markwayne Mullin: U.S. Department of Homeland Security (DHS), public domain (Wikimedia Commons)
  • Gavin Newsom: Charles Ommanney – Office of the Governor of California, public domain (Wikimedia Commons)
  • Barack Obama: Official White House Photo by Pete Souza, public domain (Wikimedia Commons)
  • Alexandria Ocasio-Cortez: Franmarie Metzler; U.S. House Office of Photography, public domain (Wikimedia Commons)
  • Dan Osborn: Ramseywill, CC BY 4.0 (Wikimedia Commons)
  • Jon Ossoff: U.S. Senate Photographic Studio, public domain (Wikimedia Commons)
  • Ken Paxton: Gage Skidmore from Surprise, AZ, United States of America, CC BY-SA 2.0 (Wikimedia Commons)
  • Nancy Pelosi: John Harrington, public domain (Wikimedia Commons)
  • Mary Peltola: Leah Herman, House Creative Services, public domain (Wikimedia Commons)
  • JB Pritzker: Oscar Garza, CC BY-SA 4.0 (Wikimedia Commons)
  • Vivek Ramaswamy: Gage Skidmore, CC BY-SA 4.0 (Wikimedia Commons)
  • John Ratcliffe: Office of the Director of Intelligence, public domain (Wikimedia Commons)
  • Robert F. Kennedy Jr.: U.S. Department of Health and Human Services, public domain (Wikimedia Commons)
  • Rick Jackson: Cherie Martin, CC BY 4.0 (Wikimedia Commons)
  • Pete Ricketts: United States Congress, public domain (Wikimedia Commons)
  • Brooke Rollins: Andrea Hanks, The White House, public domain (Wikimedia Commons)
  • Roy Cooper: NetwonsBucket, CC BY-SA 4.0 (Wikimedia Commons)
  • Chuck Schumer: U.S. Senate Photographic Studio/Jeff McEvoy, public domain (Wikimedia Commons)
  • Scott Turner: U.S. Department of Housing and Urban Development, public domain (Wikimedia Commons)
  • Josh Shapiro: Maryland GovPics, CC BY 4.0 (Wikimedia Commons)
  • Sherrod Brown: US Congress, public domain (Wikimedia Commons)
  • Keith Sonderling: Ralph Alswang PHOTOGRAPHER, public domain (Wikimedia Commons)
  • Rafael López Aliaga: Vox España, CC0 (Wikimedia Commons)
  • Roberto Burneo: Pedro Cardoso (retrato gerado por IA a partir de uma fotografia da UDEP), AI-generated portrait (Wikimedia Commons)
  • Stephen Miller: The White House, public domain (Wikimedia Commons)
  • Steve Hilton: Gage Skidmore, CC BY 2.0 (Wikimedia Commons)
  • Susan Collins: U.S. Congress, public domain (Wikimedia Commons)
  • Michele Tafoya: Keith Allison from Hanover, MD, USA, CC BY-SA 2.0 (Wikimedia Commons)
  • James Talarico: Antonioaesparza, CC BY-SA 4.0 (Wikimedia Commons)
  • John Thune: U.S. Senate Photographic Studio, public domain (Wikimedia Commons)
  • Troy Jackson: ArenLeBrun, CC0 (Wikimedia Commons)
  • Tommy Tuberville: United States Senate Photographic Studio, public domain (Wikimedia Commons)
  • Josh Turek: Iowa General Assembly, Copyrighted free use (Wikimedia Commons)
  • Russell Vought: Office of Management and Budget, public domain (Wikimedia Commons)
  • Mike Waltz: US Government (author not stated), public domain (Wikimedia Commons)
  • Kevin Warsh: Federalreserve, public domain (Wikimedia Commons)
  • Michael Whatley: Gage Skidmore, CC BY-SA 4.0 (Wikimedia Commons)
  • Gretchen Whitmer: LBJLibraryNow, public domain (Wikimedia Commons)
  • Susie Wiles: Daniel Torok / Casa Branca, public domain (Wikimedia Commons)
  • Steve Witkoff: The White House, public domain (Wikimedia Commons)
  • Lee Zeldin: US Environmental Protection Agency (author not stated), public domain (Wikimedia Commons)
  • Pete Hegseth: Chad J. McNeeley / US Department of Defense, public domain (Wikimedia Commons)
  • Marco Rubio: US Department of State, public domain (Wikimedia Commons)
  • Elon Musk: Debbie Rowe, CC BY-SA 3.0 (Wikimedia Commons)
  • Roberto Justus: Sérgio Barzaghi / Governo do Estado de São Paulo, CC BY 2.0 (Wikimedia Commons)
  • Daniel Vorcaro: Márcio Gustavo Vasconcelos, CC0 (Wikimedia Commons)
  • Mark Zuckerberg: Jeff Sainlar / Meta, CC BY-SA 4.0 (Wikimedia Commons)
  • Jeff Bezos: Seattle City Council, CC BY 2.0 (Wikimedia Commons)
  • Bernard Arnault: Jérémy Barande, CC BY-SA 2.0 (Wikimedia Commons)
  • Jensen Huang: Gabinete da Presidência da República da China (Taiwan) / 總統府, CC BY 2.0 (Wikimedia Commons)
  • Jensen Huang (notícias otimistas): Prime Minister's Office, Governo da Índia (versão recomposta com IA), GODL-India (Wikimedia Commons)
  • Jensen Huang (notícias tensas): Anderseidesvik (versão recomposta com IA), CC BY-SA 4.0 (Wikimedia Commons)
  • Ana Botín: Jennifer Jacquemart / Comissão Europeia, CC BY 4.0 (Wikimedia Commons)
  • Gonçalo Lopes (retrato 2:1): Município de Leiria (versão recomposta com IA), CC BY 3.0 (Wikimedia Commons)
  • Greta Thunberg: Kushal Das, CC BY-SA 4.0 (Wikimedia Commons)
  • Alex Karp: Ben Dance / No 10 Downing Street (Governo do Reino Unido), CC BY 2.0 (Wikimedia Commons)
  • Palmer Luckey: Stephen McCarthy / Collision via Sportsfile, CC BY 2.0 (Wikimedia Commons)
  • Dario Amodei: TechCrunch, CC BY 2.0 (Wikimedia Commons)
  • Trae Stephens: TechCrunch, CC BY 2.0 (Wikimedia Commons)
  • Sam Altman: TechCrunch (recorte de James Tamim), CC BY 2.0 (Wikimedia Commons)
  • Tim Cook: Molly Riley / Casa Branca, Domínio público (obra do governo dos EUA) (Wikimedia Commons)
  • Bill Gates: Bogdan Hoyaux / European Union, CC BY 4.0 (Wikimedia Commons)
  • Warren Buffett: U.S. International Trade Administration, public domain (Wikimedia Commons)
  • Francisco Assis: © União Europeia 2024 – Fonte: Parlamento Europeu, Philippe Buissin (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Bruno Gonçalves: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • André Franqueira Rodrigues: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Isilda Gomes: PES Group in the European Committee of the Regions (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Carla Tavares: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Sérgio Gonçalves: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Ana Miguel Pedro: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Paulo Cunha: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Lídia Pereira: European People's Party (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Hélder Sousa Silva: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Paulo do Nascimento Cabral: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Sérgio Humberto: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • António Tânger Corrêa: Duke of Winterfell (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Tiago Moreira de Sá: Rodrigopramos (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • João Cotrim de Figueiredo: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Ana Vasconcelos: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • Catarina Martins: © União Europeia 2024 – Fonte: Parlamento Europeu (fundo da miniatura retirado), reuse authorised with the source cited, per the European Parliament legal notice (Wikimedia Commons)
  • João Oliveira: The Left (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • Miguel Albuquerque: Virgílio Gomes (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • José Manuel Bolieiro: Agência Lusa (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Paulo Cafôfo: Ba291 (recorte e fundo da miniatura retirado), CC BY-SA 3.0 (Wikimedia Commons)
  • Alberto João Jardim: CPMR - Conference of Peripheral Maritime Regions (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • João Rodrigues: PedroJoãoS (recorte e fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Isabel Ferreira: José Carlos Nascimento (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Ana Abrunhosa: Óbidos TV (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Carlos Zorrinho: Sebastiaan ter Burg from Utrecht, The Netherlands (recorte e fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Gonçalo Lopes: Município de Leiria (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Pedro Duarte: Agencia LUSA (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • João Azevedo: Monica (recorte e fundo da miniatura retirado), CC0 (Wikimedia Commons)
  • Rui Rio: European People's Party (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Mota Amaral: Cristiano Tomás (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Carlos César: Agência Lusa (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Manuel Alegre: ORibatejo (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Jerónimo de Sousa: Rui Ornelas from Lisboa, Portugal (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • António Filipe: Agência Lusa (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Francisco Louçã: Francisco_Louçã_na_VI_Convenção_Nacional_do_Bloco_de_Esquerda_01.jpg: José Goulão from Lis (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Fernando Rosas: Garden Films, Bruno Lameira (derivative work) (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Marisa Matias: Esquerda.net (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Pedro Filipe Soares: Esquerda.net (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • André Silva: ComunicacaoPAN (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Ramalho Eanes: Filipe Silva (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Rui Moreira: Porto Tourism Official Portal (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Ana Gomes: Original photo by Foto-AG Gymnasium Melle (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Daniel Oliveira: MALUCO BELEZA (http://malucobeleza.tv/) (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Luís Marques Mendes: Agencia LUSA (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • José Pacheco Pereira: JCSantos (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • António Barreto: Manuel de Sousa (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • João César das Neves: Centro de Estudos Sociais da Universidade de Coimbra (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • António Bagão Félix: Zicoze (recorte e fundo da miniatura retirado), CC BY-SA 3.0 (Wikimedia Commons)
  • Vera Magalhães: MDB Nacional (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Merval Pereira: Leo Cabral (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Dora Kramer: Antonio Cruz/ABr (recorte e fundo da miniatura retirado), CC BY 3.0 br (Wikimedia Commons)
  • Eliane Cantanhêde: Ministério das Relações Exteriores do Brasil (recorte e fundo da miniatura retirado), CC BY 3.0 (Wikimedia Commons)
  • Natuza Nery: Luiz Flavio Guimarães (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Andréia Sadi: Superior Tribunal de Justiça STJ (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Demétrio Magnoli: TV Cultura (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Miriam Leitão: Agência Senado from Brasilia, Brazil (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Carlos Alberto Sardenberg: Mídia promocional do programa Observatório da Imprensa, TV Brasil. (recorte e fundo da miniatura retirado), CC BY 3.0 br (Wikimedia Commons)
  • William Waack: Edilson Rodrigues/Agência Senado (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Ricardo Amorim: Olimor ver também - Lucas Mendes (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • Flávia Oliveira: Mídia promocional do programa Observatório da Imprensa, Foto ampliada por Olimor. (recorte e fundo da miniatura retirado), CC BY 3.0 br (Wikimedia Commons)
  • Mara Luquet: ABRAS Associação Brasileira de Supermercados (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Alexandre Schwartsman: Portal Abras (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Eduardo Giannetti: Fronteiras do Pensamento (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Rachel Maddow: PhilipRomanoPhoto (recorte e fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Tucker Carlson: Gage Skidmore (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Jake Tapper: PhilipRomanoPhoto (recorte e fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • David Brooks: LBJ Library from Austin (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • Ezra Klein: SWinxy (recorte e fundo da miniatura retirado), CC BY 4.0 (Wikimedia Commons)
  • Ben Shapiro: Gage Skidmore (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Chris Hayes: Jonathan Maus (recorte e fundo da miniatura retirado), CC BY 2.0 (Wikimedia Commons)
  • Peggy Noonan: Gage Skidmore from Peoria, AZ, United States of America (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Anderson Cooper: Gage Skidmore (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Jonah Goldberg: Gage Skidmore (recorte e fundo da miniatura retirado), CC BY-SA 3.0 (Wikimedia Commons)
  • Sean Hannity: The White House from Washington, DC (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • Fareed Zakaria: World Economic Forum from Cologny, Switzerland (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Paul Krugman: Prolineserver (talk) (recorte e fundo da miniatura retirado), GFDL 1.2 (Wikimedia Commons)
  • Robert Reich: Cmichel67 (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Larry Summers: United States Department of Treasury (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)
  • Mohamed El-Erian: World Economic Forum on Flickr (recorte e fundo da miniatura retirado), CC BY-SA 2.0 (Wikimedia Commons)
  • Peter Schiff: Gage Skidmore (recorte e fundo da miniatura retirado), CC BY-SA 3.0 (Wikimedia Commons)
  • Claudia Sahm: Claudia Sahm (recorte e fundo da miniatura retirado), CC BY-SA 4.0 (Wikimedia Commons)
  • Jason Furman: Lawrence Jackson (recorte e fundo da miniatura retirado), Public domain (Wikimedia Commons)

The flags next to each country name are drawings from the flag-icons library (MIT licence, licence text).

In stories about some institutions, the circle next to the headline shows their emblem: Inspectorate-General of Health Activities (Portugal), IGAS logo (Inspeção-Geral das Atividades em Saúde, institutional symbol; file supplied by the editor, Wikimedia Commons; the symbol only (the turquoise façade), without the lettering, centred on a transparent background; resized to 256 × 256 as WebP); National Institute of Medical Emergency (Portugal), INEM logo (Meine Schwester, CC0 1.0 (Commons file); institutional symbol, Wikimedia Commons; Resized as PNG, preserving transparency and the complete logo.); National Emergency and Civil Protection Authority (Portugal), ANEPC symbol (Autoridade Nacional de Emergência e Proteção Civil, CC BY-SA 4.0, Wikimedia Commons; the three-colour knot only, without the lettered ring, on a transparent background; resized); Portuguese Institute for Sea and Atmosphere, IPMA logo (Instituto Português do Mar e da Atmosfera; ficheiro fornecido pelo editor, trademark; licence not stated in the file; margins trimmed, centred on a transparent background and enlarged); Transtejo Soflusa (Lisbon ferries), Transtejo Soflusa logo (Transtejo Soflusa; ficheiro fornecido pelo editor, trademark; licence not stated in the file; the «TTSL» letters only, without the name below, on a transparent background; resized); Alqueva, coat of arms of Alqueva parish (Sérgio Horta, GFDL 1.2+ and CC BY-SA 3.0, Wikimedia Commons; centred on a transparent background and resized); National Health Service (Portugal), SNS symbol (Governo de Portugal, CC0 1.0 (Commons file); institutional symbol, Wikimedia Commons; symbol circle only, without the lettering, resized as transparent WebP); Local Health Unit (Portugal), Local Health Units symbol (Unidade Local de Saúde do Algarve (SNS); ficheiro fornecido pelo editor, institutional symbol; no licence specified in the supplied file; symbol circle only, without the lettering, on a transparent background; resized as WebP); The Wall Street Journal, WSJ symbol (The Wall Street Journal; ficheiro fornecido pelo editor, newspaper trademark; no licence specified in the supplied file; Margins adjusted, centered on white and resized.); Ministry of Foreign Affairs (Portugal), photograph of Palácio das Necessidades (Kent Wang, CC BY 4.0, Wikimedia Commons; Resized and converted to WebP; visual framing in cards.); Federal Reserve, Federal Reserve seal (U.S. Government / Federal Reserve System, public domain; official insignia, Wikimedia Commons; resized, full seal preserved); European Central Bank, ECB symbol (Ficheiro fornecido pelo editor, institutional symbol; no licence specified in the supplied file; euro and stars disc only, framed as a circle; original artwork preserved); Public Security Police (Portugal), shield of the coat of arms (PJPita, public domain, Wikimedia Commons; shield only, without the helmet, mantling and ring, on a transparent background); National Republican Guard (Portugal), GNR emblem (Guarda Nacional Republicana; ficheiro fornecido pelo editor, institutional insignia; no licence specified in the supplied file; outer background removed, emblem centered and resized as a transparent PNG); Ericeira, coat of arms of Ericeira parish (Sérgio Horta, GFDL (Commons file); insignia, Wikimedia Commons; centred in a square and resized as WebP); Autonomous Region of Madeira, flag of the Autonomous Region of Madeira (Brian Boru (original) e Nuno Tavares (vetor), CC BY-SA 1.0; insignia, Wikimedia Commons; central square crop with the cross, resized as WebP); Minas Gerais, coat of arms of the State of Minas Gerais (Estado de Minas Gerais (Decreto n.º 6.493, de 1924), carregado na Commons por Maislucinha, public domain; insignia, Wikimedia Commons; centred in a square on a transparent background, resized as WebP); State of São Paulo, coat of arms of the State of São Paulo (Estado de São Paulo (Lei estadual n.º 145, de 1948; Manual de Identidade Visual do Governo do Estado), vetorizado na Commons por OAlexander, public domain; insignia, Wikimedia Commons; centred in a square on a transparent background, resized as WebP); State of Paraná, coat of arms of the State of Paraná (Governo do Estado do Paraná (DIOE), carregado na Commons por Franklin Baldo, public domain; insignia, Wikimedia Commons; centred in a square on a transparent background, resized as WebP); State of Paraíba, coat of arms of the State of Paraíba (Governo do Estado da Paraíba, desenho de Giro720 na Commons, public domain; insignia, Wikimedia Commons; centred in a square on a transparent background, resized as WebP); Federal District (Brazil), flag of the Federal District of Brazil (Governo do Distrito Federal (Decreto n.º 1.090, de 1969), public domain; insignia, Wikimedia Commons; central square crop with the green square and the arrows, resized as WebP); State of California, Great Seal of the State of California (Estado da Califórnia (selo de 1849; desenho e cores de 1978, Jane Van Doren, California State Printing Office), vetorizado na Commons por Hendrik M. Stoops Lugo, public domain in the US (CC0); insignia, Wikimedia Commons; cropped to the seal, on a transparent background, resized as WebP); Lisbon City Council, logo (Câmara Municipal de Lisboa, public domain, trademark, Wikimedia Commons; the ship only, without the words, on a transparent background); Ministry of Internal Administration (Portugal), Ministry of Internal Administration logo (Governo de Portugal, CC BY-SA 4.0, Wikimedia Commons; the symbol only (flag with the shield and armillary sphere), without the lettering, centred on a transparent background; resized as WebP); Government of Portugal, coat of arms of the Portuguese Republic (Tonyjeff, public domain, Wikimedia Commons; on a transparent background, resized); Government of Brazil, coat of arms of the Federative Republic of Brazil (Governo do Brasil (Portal do Planalto), carregado na Commons por Jarekt, public domain, Wikimedia Commons; on a transparent background, resized); Government of Israel, emblem of the State of Israel (Max e Gabriel Shamir; versão vetorial de Tonyjeff, public domain, Wikimedia Commons; unchanged); University of Lisbon, logo (Universidade de Lisboa, public domain, trademark, Wikimedia Commons; the «U» only, without the words); Euro area, flag of Europe (Conselho da Europa / União Europeia, public domain; official insignia, Wikimedia Commons; cropped square around the stars, following the official construction); European Union, flag of Europe (Conselho da Europa / União Europeia, public domain; official insignia, Wikimedia Commons; cropped square around the stars, following the official construction); Europe, flag of Europe (Conselho da Europa / União Europeia, public domain; official insignia, Wikimedia Commons; cropped square around the stars, following the official construction); Organization of the Petroleum Exporting Countries (OPEC), flag (Zscout370, public domain, Wikimedia Commons; resized); United Nations, flag (Open Clip Art, com alterações de Denelson83, Zscout370 e Madden, public domain, Wikimedia Commons; resized); COP31 (UN Climate Change Conference, Antalya, Türkiye), COP31 logo emblem (Presidência turca da COP31; ficheiro fornecido pelo editor, trademark, no free licence; globe and tulip only, without the lettering, centred in a square on a transparent background; resized as WebP); NATO, flag (Mysid, com código limpo por Artem Karimov, public domain; insignia, Wikimedia Commons; square crop of the compass rose, resized); Gulf Cooperation Council (GCC), flag (Rico Shen, public domain; insignia, Wikimedia Commons; square crop of the emblem, resized as WebP); Students' List (Serbia), Students in Blockade logo (Studenti u blokadi, trademark, no free licence, Wikipedia; resized, on a transparent background); Joint List (Hadash–Ta'al–Balad), Joint List logo (The Joint List, public domain (trademark), Wikimedia Commons; resized, on a transparent background); United Torah Judaism, United Torah Judaism logo (United Torah Judaism, public domain (trademark), Wikimedia Commons; resized, on a transparent background); Judaism, Star of David (Zscout370, public domain, Wikimedia Commons; resized, on a transparent background); Bharatiya Janata Party (BJP), BJP lotus (Bharatiya Janata Party, public domain (trademark), Wikimedia Commons; resized, centred on a transparent background); Nationalist Congress Party (NCP), India, clock, NCP election symbol (Nationalist Congress Party, public domain (trademark), Wikimedia Commons; resized, centred on a transparent background); Jerónimo Martins, logo (Jerónimo Martins, SGPS, SA, public domain, trademark, Wikimedia Commons; resized, on a transparent background); eBay, logo (eBay, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Vinted, logo «V» (Vinted, public domain, trademark, Wikimedia Commons; the «V» only, without the word, on a transparent background; resized); JPMorgan Chase, logo symbol (JPMorgan Chase, public domain (simple shapes), trademark, Wikimedia Commons; the octagon only, without the word, on a transparent background; resized); Goldman Sachs, logo (Goldman Sachs, public domain, trademark, Wikimedia Commons; resized, on a transparent background); S-Oil, logo (S-Oil, public domain, trademark, Wikimedia Commons; resized, on a transparent background); Samsung, logo (Samsung, public domain, trademark, Wikimedia Commons; resized, on a transparent background); National Congress of Brazil, National Congress logo (Congresso Nacional do Brasil, public domain (PD-BrazilGov), Wikimedia Commons; cropped to a centred square (the towers and domes), enlarged); Supreme Federal Court of Brazil, STF logo (Supremo Tribunal Federal, public domain (PD-textlogo), Wikimedia Commons; symbol and initials only, without the full name, resized, on a transparent background); B3 (Brazil's stock exchange), logo (B3, public domain, trademark, Wikimedia Commons; symbol only, on a transparent background); Banco Sabadell, logo (Banco Sabadell, public domain, trademark, Wikimedia Commons; the blue «B» disc only, without the word); EDP, logo (EDP, public domain, trademark, Wikimedia Commons; the spiral only, without the word, on a transparent background); E-REDES, logo (E-REDES; ficheiro fornecido pelo editor, trademark; licence not stated in the file; the symbol only, without the word, on a transparent background; redrawn large and resized); IndiGo, logo icon (IndiGo, public domain, trademark, Wikimedia Commons; the dotted plane only, without the text); Air India, logo (Air India, public domain, trademark, Wikimedia Commons; resized, on a transparent background); Turning Point USA, logo symbol (Turning Point USA, public domain, trademark, Wikimedia Commons; the arrow and stars only, without the lettering, on a transparent background); UFC, logo (Ultimate Fighting Championship, public domain, trademark, Wikimedia Commons; resized and centred by the weight of the letters, on a transparent background); Amnesty International, logo symbol (Amnesty International, trademark, no free licence, Wikipedia; the candle and barbed wire only, without the lettering); NOVA University Lisbon, logo (Universidade NOVA de Lisboa, public domain, trademark, Wikimedia Commons; the «NOVA» only, without the words, on a transparent background); ISCTE – University Institute of Lisbon, logo lettering (ISCTE – Instituto Universitário de Lisboa, public domain, trademark, Wikimedia Commons; the «iscte» letters only, without «Instituto Universitário de Lisboa», on a transparent background); ISCSP – School of Social and Political Sciences (University of Lisbon), logo lettering (ISCSP – Instituto Superior de Ciências Sociais e Políticas, public domain, trademark, Wikimedia Commons; the «ISCSP» letters only, without the dash or the words below, on a transparent background); Cornell University, seal shield (Cornell University, public domain, trademark, Wikimedia Commons; the shield only, without the ring with the name and date, on a transparent background); Louisiana State University (LSU), seal pelican (Louisiana State University; ficheiro fornecido pelo editor, university seal, trademark; not on Wikimedia Commons; the pelican with its chicks only, without the ring with the name and date, in purple, on a transparent background); Parks Canada, logo beaver (Parks Canada / Parcs Canada; ficheiro fornecido pelo editor, government agency logo, trademark; not on Wikimedia Commons; centred in a square on a transparent background, resized as WebP); U.S. Immigration and Customs Enforcement (ICE), ICE seal (U.S. Immigration and Customs Enforcement, public domain; official insignia, Wikimedia Commons; resized, full seal preserved); TAP Air Portugal, logo lettering (TAP Air Portugal, public domain, trademark, Wikimedia Commons; the TAP letters only, without «Air Portugal»); ANA Aeroportos de Portugal (Lisbon Airport), «ana» symbol from the Lisbon airport logo (ANA Aeroportos de Portugal, public domain (simple logo), trademark, Wikimedia Commons; the green «ana» symbol only, without «Lisboa Aeroporto», centred in a transparent square, resized as WebP); ANA Aeroportos de Portugal (Lisbon Airport), «ana» symbol from the Lisbon airport logo (ANA Aeroportos de Portugal, public domain (simple logo), trademark, Wikimedia Commons; the green «ana» symbol only, without «Lisboa Aeroporto», centred in a transparent square, resized as WebP); NOS, logo (NOS, SGPS, public domain, trademark, Wikimedia Commons; resized, on a transparent background); Lufthansa, logo crane (Lufthansa Group, public domain, trademark, Wikimedia Commons; the crane in its circle only, without the name); Corticeira Amorim, logo symbol (Corticeira Amorim SGPS, public domain, trademark, Wikimedia Commons; the tree only, without the text); BPI, logo icon (Banco BPI; ficheiro fornecido pelo editor, trademark, no free licence, Wikipedia; icon only, without the text); Central Bank of Paraguay, seal (Banco Central del Paraguay, public domain (Paraguay), trademark, Wikimedia Commons; converted to WebP); Banco da Amazônia (Bank of the Amazon), 2025 logo symbol (Banco da Amazônia, public domain (simple logo), trademark, Wikimedia Commons; «A» symbol only, without the lettering, centred in a transparent square, resized as WebP); Banco Master, «M» logo symbol (Banco Master, public domain (simple logo), trademark, Wikimedia Commons; «M» symbol in the blue square only, without the lettering, centred in a transparent square, resized as WebP); Pix (Brazil's instant payment system), logo symbol (Banco Central do Brasil, public domain (simple logo), trademark, Wikimedia Commons; symbol only, without the lettering); Bank of Portugal, logo icon (Banco de Portugal; ficheiro fornecido pelo editor, institutional symbol; trademark, no free licence; icon only, without the text, on a transparent background); Iryo, logo (Iryo (ILSA), public domain, trademark, Wikimedia Commons; resized, on a transparent background); Rheinmetall, logo symbol (Rheinmetall AG, public domain, trademark, Wikimedia Commons; symbol only, without the text, on a transparent background); CGTP-IN, General Confederation of Portuguese Workers, symbol icon (CGTP-IN; ficheiro fornecido pelo editor, organisation symbol; trademark, no free licence; icon only, without the letters or the «Intersindical Nacional» band); Fenprof – National Federation of Teachers (Portugal), logo symbol (Fenprof; ficheiro fornecido pelo editor, organisation symbol; trademark, no free licence; the «sf» symbol only, without the «FENPROF» lettering); Economic and Social Council (Portugal), logo emblem (Conselho Económico e Social; ficheiro fornecido pelo editor, institutional symbol; no free licence, Wikimedia Commons; emblem only, without the lettering, on a transparent background); Public Prosecution Service (Portugal), logo emblem (Ministério Público – Portugal, public domain (Commons file); trademark, Wikimedia Commons; emblem only, without the lettering, on a transparent background); Google, «G» symbol (Google, public domain, trademark, Wikimedia Commons; the «G» only, on a transparent background; resized); Alphabet, logo (Alphabet Inc., public domain, trademark, Wikimedia Commons; white background made transparent); Web Summit, logo emblem (Web Summit, public domain (Commons file); trademark, Wikimedia Commons; emblem only, without the lettering, on a transparent background); Petrobras, logo icon (Petrobras, public domain, trademark, Wikimedia Commons; the «BR» icon only, without the word); Bitcoin, symbol (Grayliptrot, public domain, trademark, Wikimedia Commons; resized); Binance, logo icon (Binance, public domain, trademark, Wikimedia Commons; the icon only, without the word; resized); Multiplan, logo symbol (Multiplan, public domain, trademark, Wikimedia Commons; symbol only, without the text, on a transparent background); IBGE, logo symbol (Instituto Brasileiro de Geografia e Estatística, trademark, Wikimedia Commons; symbol only, without the text, on a transparent background); Usiminas, logo symbol (Usiminas, public domain, trademark, Wikimedia Commons; symbol only, without the text, on a transparent background); Vale, logo symbol (Vale S.A., public domain, trademark, Wikimedia Commons; symbol only, without the text, on a transparent background); Galp, logo (Galp Energia, public domain (text logo), trademark, Wikimedia Commons; resized, on a transparent background); Pipedrive, Pipedrive icon (Pipedrive; ficheiro fornecido pelo editor, trademark; no licence specified in the supplied file; resized); Amazon, logo icon (Amazon.com, Inc., public domain, trademark, Wikimedia Commons; the «a» with the smile only, without the word; resized); Microsoft, logo symbol (Microsoft, public domain, trademark, Wikimedia Commons; the four squares only, without the word, on a transparent background); Nvidia, logo symbol (Nvidia, Apache 2.0, trademark, Wikimedia Commons; the eye only, without the word, on a transparent background; resized); Apple, apple logo (Rob Janoff (original), Apple, public domain, trademark, Wikimedia Commons; the apple only, on a transparent background; resized); Nasdaq, Nasdaq symbol (Nasdaq, public domain, trademark, Wikimedia Commons; the symbol only, without the word, on a transparent background; resized); Meta, infinity symbol (Meta Platforms, public domain, trademark, Wikimedia Commons; the symbol only, without the word, on a transparent background; resized); Nubank, «nu» logo (Nubank, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Mercado Pago, handshake symbol (Mercado Pago (Mercado Libre); ficheiro fornecido pelo editor, trademark, no free licence; on a transparent background, centred in a square; resized); Uber, 2018 logo (Uber, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Oracle, logo (Oracle Corporation, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Lockheed Martin, logo star (Lockheed Martin, public domain, trademark, Wikimedia Commons; the star only, without the word, on a transparent background, centred in a square; resized); Boeing, logo symbol (Boeing (Richard Burch Eiber), public domain, trademark, Wikimedia Commons; the symbol only, without the word, on a transparent background, centred in a square; resized); RTX (Raytheon), logo symbol (RTX Corporation, public domain, trademark, Wikimedia Commons; the symbol only, without the letters, on a transparent background, centred in a square; resized); Northrop Grumman, logo (Northrop Grumman, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); General Dynamics, logo (General Dynamics, public domain, trademark, Wikimedia Commons; in two lines (editor's file), on a transparent background, centred in a square; resized); Banco Santander, logo symbol (Interbrand / Banco Santander, public domain, trademark, Wikimedia Commons; the flame only, without the word, on a transparent background, centred in a square; resized); Palantir, logo symbol (Palantir, public domain, trademark, Wikimedia Commons; the symbol only, without the word, on a transparent background, centred in a square; resized); Anduril, logo symbol (Anduril Industries, public domain, trademark, Wikimedia Commons; the symbol only, without the word, on a transparent background, centred in a square; resized); SpaceX, logo (SpaceX, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Rafael Advanced Defense Systems, logo symbol (Rafael Advanced Defense Systems, public domain, trademark, Wikimedia Commons; the symbol only, without the word or the motto, on a transparent background, centred in a square; resized); DDR&D (Mafat), logo symbol (MafatGraphic, CC BY-SA 4.0, Wikimedia Commons; the symbol only, without the lettering, on a transparent background, centred in a square; resized); Israeli Ministry of Defence, ministry symbol (רונאלדיניו המלך (Wikimedia Commons), public domain (simple shapes), official insignia, Wikimedia Commons; on a transparent background, centred in a square; resized); Brazilian Navy, Brazilian Navy emblem (Marinha do Brasil, public domain; official insignia, Wikimedia Commons; the round emblem only, without the lettering, on a transparent background; resized); Brazilian Navy, Brazilian Navy emblem (Marinha do Brasil, public domain; official insignia, Wikimedia Commons; the round emblem only, without the lettering, on a transparent background; resized); Counter Terrorism Policing (UK), Counter Terrorism Policing emblem (Counter Terrorism Policing, Metropolitan Police Service, public domain; official insignia, Wikimedia Commons; the emblem only (crown and chequers), without the lettering, centred on the logo blue; resized as WebP); Counter Terrorism Policing (UK), Counter Terrorism Policing emblem (Counter Terrorism Policing, Metropolitan Police Service, public domain; official insignia, Wikimedia Commons; the emblem only (crown and chequers), without the lettering, centred on the logo blue; resized as WebP); Federal Police (Brazil), Federal Police badge (Governo do Brasil (Polícia Federal), public domain (PD-BrazilGov); official insignia, Wikimedia Commons; centred in a square on a transparent background; resized as WebP); Federal Police (Brazil), Federal Police badge (Governo do Brasil (Polícia Federal), public domain (PD-BrazilGov); official insignia, Wikimedia Commons; centred in a square on a transparent background; resized as WebP); Federal Police (Brazil), Federal Police badge (Governo do Brasil (Polícia Federal), public domain (PD-BrazilGov); official insignia, Wikimedia Commons; centred in a square on a transparent background; resized as WebP); Funai (Brazil's National Indigenous Peoples Foundation), Funai logo (Fundação Nacional dos Povos Indígenas (Funai); ficheiro fornecido pelo editor, Brazilian public institution logo; not on Wikimedia Commons; on a transparent background, centred in a square; enlarged); Islamic Revolutionary Guard Corps (IRGC), IRGC emblem (MrInfo2012 (Wikimedia Commons), public domain; official insignia, Wikimedia Commons; on a transparent background, centred in a square; resized as WebP); Islamic Republic of Iran Navy, Islamic Republic of Iran Navy seal (MrInfo2012 (Wikimedia Commons), public domain; official insignia, Wikimedia Commons; resized as WebP, full seal); BBC, BBC logo (British Broadcasting Corporation; ficheiro fornecido pelo editor, public domain (simple text); trademarked, Wikimedia Commons; cropped and resized as WebP, transparent background); RCN Radio, RCN Radio logo (2025) (RCN Radio; ficheiro fornecido pelo editor, public domain (simple logo); trademarked, Wikimedia Commons; cropped and resized as WebP, transparent background); Elbit Systems, logo (Elbit Systems; ficheiro fornecido pelo editor, company logo, trademark; not on Wikimedia Commons; on a transparent background, centred in a square; resized); OpenAI, logo symbol (OpenAI, public domain, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Anthropic, logo «A\» symbol, file supplied by the editor (Anthropic, public domain (text only), trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Claude (Anthropic), Claude symbol (Anthropic, CC0, trademark, Wikimedia Commons; on a transparent background, centred in a square; resized); Tesla, logo symbol (Tesla, public domain, trademark, Wikimedia Commons; the «T» only, without the word, on a transparent background; resized); Intel, logo (2006-2020) (Intel Corporation, public domain, trademark, Wikimedia Commons; resized, on a transparent background).